The Misses Mallett (The Bridge Dividing) — John Shaqi
The Misses Mallett (The Bridge Dividing)Young, E. H. (Emily Hilda)
General
The Misses Mallett (The Bridge Dividing)
Young, E. H. (Emily Hilda)
Fiction
“I won’t stay to-day,” Rose said. She was shaking with the anger she
suppressed.
“But if you don’t,” Christabel cried, “he’ll want to know why. He’ll
ask me!”
“I can’t help that,” Rose said.
Tears came into Christabel’s eyes. “You might at least do that for me.”
“Very well. Because you ask me.”
“And you’ll come again soon?”
The sternness of Rose’s face was broken by an ironic smile. “Of course!
If you are sure you want me!”
She went downstairs and, as usual, Francis was waiting for her in the
matted hall. He did not greet her with a word or a smile. He watched
her descend the shallow flight, and together they went down the passage
to the clear drawing-room, where the faded water-colours looked unreal
and innocent and ignorant of tragedy.
“What’s the matter?” he asked.
“Nothing.” She looked into the oval mirror which had so often reflected
his mother’s placid face. “My hat’s a little crooked,” she said.
He laughed without mirth. “Never in its life. Has Christabel been
worrying you?”
“Worrying me? Poor child—”
“Yes, it’s damnable, but she does worry one—and you look odd.”
“I’m getting old,” she murmured, not seeking reassurance but stating a
fact plain to her.
“You’re exactly the same!” he said. “Exactly the same!” He swept his
face with his hands, and at that sight a new sensation seized her
delicately, delightfully, as though a firm hand held her for an instant
above the earth, high in the air, free from care, from restrictions,
from the necessity for thought—but only for an instant. She was set
down again, inwardly swaying, apparently unmoved, but conscious of the
carpet under her feet, the chairs with twisted legs, the primrose
curtains, the spring afternoon outside.
“Let us have tea,” she said. She handled the pretty flowered cups and
under her astonished eyes the painted flowers were like a little
garden, gay and sweet and gilded. She seemed to smell them and the hiss
of the kettle was like a song. Then, as she handed him his cup and
looked into his wretched face and remembered the bitter reality of
things, she still could not lose all sense of sweetness.
“Don’t say any more!” she said quickly. “Don’t say another word.”
“I won’t, if you’re sure you know everything. Do you?”
“Every single thing.”
“And you care?”
“Yes.” She drew a breath. “I care—beyond speaking of it. Francis, not a
word!”
Public-domain text, read in full here on John Shaqi.
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