The Misses Mallett (The Bridge Dividing)Young, E. H. (Emily Hilda)
General
The Misses Mallett (The Bridge Dividing)
Young, E. H. (Emily Hilda)
Fiction
They had gone in a hired carriage, but one so smart and well-equipped
that it might have been their own, and she remembered the smell of the
leather seats warmed by the sun, the sound of the horse’s hoofs and the
sight of Caroline and Sophia, extremely gay in their summer muslins and
shady hats, each holding a lace parasol to protect the complexion
already delicately touched up with powder and rouge. She had been very
proud of her stepsisters as she sat facing them and she had decided to
wear just such muslin dresses, just such hats, when she grew up.
Caroline was in pink with coral beads and a pink feather drooping on
her dark hair; and Sophia, very fair, with a freckle here and there
peeping, as though curious, through the powder, wore yellow with a
big-bowed sash. She was always very slim, and the only fair Mallett in
the family; but even in those days Caroline was inclined to stoutness.
She carried it well, however, with a great dignity, fortified by
reassurances from Sophia, and Rose’s recollections of the conversations
of these two was of their constant compliments to each other and the
tireless discussion of clothes. These conversations still went on.
Fifteen years ago she had sat in that carriage in a white frock, with
socks and ankle-strapped black shoes, her long hair flowing down her
back, and she had heard then, as one highly privileged, the words she
would hear again when she arrived home for tea. Under their tilted
parasols they had made their little speeches. No one was more
distinguished than Caroline; no girl of twenty had a prettier figure
than Sophia’s; how well the pink feather looked against Caroline’s
hair. Rose, listening intently, but not staring too hard lest her gaze
should attract their attention to herself, had looked at the fields and
at the high, smooth wall, and wondered whether she would rather reach
Sales Hall and enjoy the party, or drive on for ever in this delightful
company, but the carriage turned up the avenue of elms and Rose saw for
the first time the house which Francis Sales now offered as an
attraction. It was a big, square house with honest, square windows, and
the drive, shadowed by the elms, ran through the fields where the
haymaking was in progress. Only immediately in front of the house were
there any flower-beds and there were no garden trees or shrubs. The
effect was of great freedom and spaciousness, of unaffected homeliness;
and even then the odd delightful mixture of hall and farm, the grandeur
of the elm avenue set in the simplicity of fields, gave pleasure to
Rose Mallett’s beauty-loving eyes. Anything might happen in a garden
that suddenly became a field, in a field that ended in a garden, and
the house had the same capacity for surprise.
Public-domain text, read in full here on John Shaqi.
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