The Missionary Sheriff: Being incidents in the life of a plain man who tried to do his dutyThanet, Octave
General
The Missionary Sheriff: Being incidents in the life of a plain man who tried to do his duty
Thanet, Octave
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
“Arrest you if you make a racket, talk to you if you don’t. Go into that
seat.” He indicated a seat in the rear, and she took it without a word.
He sat near the aisle; she was by the window.
“I suppose you mean to sit here all night,” she remarked, scornfully.
“Not at all,” said he; “just to the next place. Then you’ll get out.”
“Oh, will I?”
“You will. Either you will get out and go about your business, or you
will get out and be taken to jail.”
“We’re smart. What for?”
“For inciting prisoners to escape.”
“Ned’s dead,” with a sneer.
“Yes, he’s dead, and”—he watched her narrowly, although he seemed
absorbed in buttoning his coat—“they say he haunts his old cell, as if
he’d lost something. Maybe it’s the letter you folded up small enough to
go in the seam of a coat. I’ve got that.” He saw that she was watching
him in turn, and that she was nervous. “Ned’s dead, poor fellow, true
enough; but—the girl at Barber & Glasson’s ain’t dead.”
She began to fumble with her gloves, peeling them off and rolling them
into balls. He thought to himself that the chances were that she was
superstitious.
“Look here,” he said, sharply, “have an end of this nonsense; you get off
at the next place, and never bother that old lady again, or—I will have
you arrested, and you can try for yourself whether Ned’s cell is haunted.”
For a brief space they eyed each other, she in an access of impotent
rage, he stolid as the carving of the seat. The car shivered; the great
wheels moved more slowly. “Decide,” said he; not imperatively—dryly,
without emotion of any sort. He kept his mild eyes on her.
“It wasn’t his mother I meant to tell; it was that girl—that _nice_ girl
he wanted to marry—”
“You make me tired,” said the sheriff. “Are you going, or am I to make a
scene and take you? I don’t care much.”
She slipped her hand behind her into her pocket.
The sheriff laughed, and grasped one wrist.
“_I_ don’t want to talk to the country fools,” she snapped.
“This way,” said the sheriff, guiding her. The train had stopped. She
laughed as he politely handed her off the platform; the next moment the
wheels were turning again and she was gone. He never saw her again.
The porter came out to stand by his side in the vestibule, watching the
lights of the station race away and the darkling winter fields fly past.
The sheriff was well known to him; he nodded an eager acquiescence to the
officer’s request: “If those ladies in 8 and 9 ask you any questions,
just tell them it was a crazy woman getting the wrong section, and I took
care of her.”
Within the car a desolate mother wept the long night through, yet thanked
God amid her tears for her son’s last good days, and did not dream of the
blacker sorrow that had menaced her and had been hurled aside.
THE CABINET ORGAN
THE CABINET ORGAN
Public-domain text, read in full here on John Shaqi.
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