The Modern Athens: A dissection and demonstration of men and things in the Scotch Capital.Mudie, Robert
General
The Modern Athens: A dissection and demonstration of men and things in the Scotch Capital.
Mudie, Robert
Edinburgh (Scotland) -- Description and travel
As, however, the scenery arises out of the drama itself, while the
actors have an existence and character off the boards, it will be
necessary to premise an outline of the plot. That was arranged into
the following acts, with as many interludes public and private as
could be crammed into the time and space. The King was to land--to be
received by whoever should be accounted the greatest and most loyal
man in Scotland, which some said was Lord President Hope, some Bailie
Blackwood, some Sir Walter Scott, others Sir Alexander Gordon, of
Culvennan, a few Principal Baird, and even Professor Leslie had his own
vote and another--he was to shake hands with Bailie Macfie, of Leith,
(with his glove on as it were,) then he was to pass along streets,
through triumphal arches, over bridges, and in at gates, to the ancient
palace of the Holyrood, where the old throne from Buckingham-House had
been darned and done up for his reception, by way of reading him an
introductory lecture upon Scotch economy. Such was to be the first act
of the drama, and the preparations for it were peculiarly splendid. The
line of progress, which was both long and broad, was to be thronged
with people; the devices and mottoes were to be got up, to let the
King know that an illumination was coming; the ladies were instructed
to fidget and wriggle in the windows, by way of hint that there would
be a dance; the presence of Sir William Curtis made it certain there
would be turtle-soup; the curl of the Reverend Dr. Lamond’s nose
threatened a sermon; the archery and men with white sticks pointed to
a procession; the hungry looks of the Burgh magistrates and local men
in authority, had obvious reference to a levee; the pouting lips of
the ladies rendered a drawing-room indispensable; and the bevies of
breechless Highlanders and bandy-legged Southerns in similar costume,
were pretty sure tokens of a theatrical exhibition,--and, from the
extreme officiousness of Glengarry, the Kouli Khan of all the Celts,
it was pretty apparent that that exhibition could be nothing else than
Rob Roy--that prince of chieftains and cow-stealers. Thus, while the
first act was to be perfect in itself, it was shrewdly contrived that
it should develop the sequence and economy of the others; but still, to
make assurance double-sure, the gazette writer for Scotland, who had
been a sinecurist since the creation, was kept drudging at delineations
of doings and programmes of processions from morning till night, and
sometimes from night till morning.
Public-domain text, read in full here on John Shaqi.
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