The Modern Athens: A dissection and demonstration of men and things in the Scotch Capital. — John Shaqi
The Modern Athens: A dissection and demonstration of men and things in the Scotch Capital.Mudie, Robert
General
The Modern Athens: A dissection and demonstration of men and things in the Scotch Capital.
Mudie, Robert
Edinburgh (Scotland) -- Description and travel
It being the only time during a century and a half, at the least,
when the daughters of Scotia have had the flattering opportunity
of flaunting their trains, flourishing their plumes, bowing in the
presence of Majesty, and, finally, giving their cheeks to the glory
and honour of the royal basial salutation,--and certainly the only
time when a native royal drawing-room has been held in Scotland, since
she had either much wealth or population to display,--it is not to be
wondered at, that it produced corresponding anxiety among the fair.
A random female here and there may, no doubt, have been in the royal
presence, and there may be one or two cheeks which have before been
made happy by the royal impress; but the greater, by far the greater
part of the roses and lilies of Scotland were, up to this happy 21st of
August, 1822, in virgin, but pitiable, ignorance of so much honour. It
is not to be wondered at, then, that the preparations of this eventful
day had their sources remote in the past, and the hopes of the fair
ones groped their way far into the future; and if they had not made
themselves gay upon the occasion, it would have been alien alike to
the honour of their country and the disposition of the sex. Morning,
noon, and night, had accordingly been spent at the mirror, and many a
projection has been squeezed, and furrow smoothed, in order that for
“Scotland’s glory,” and their own, they might appear as splendid, as
gay, and as bewitching as possible, in the presence of their King and
his nobles, and their own admirers. All this was most laudable; and
as the fair ones, with their eyes, their candles, and their mirrors,
literally frightened the reign of “old Night,” they merited forgiveness
though they encouraged a little of that of “Chaos.”
Public-domain text, read in full here on John Shaqi.
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