Sometimes a bold engineer strikes out into a new method, quicker and less
expensive than these piecemeal efforts. Of such was the job at
Steubenville, O., where a 205-foot double-track span was erected on heavy
falsework alongside the old bridge. In a carefully chosen interval between
a service of frequent trains, both the old and the new spans--together
weighing 1,300 tons--were fastened together and drawn sideways a distance
of twenty-five feet in one minute and forty seconds. The new span was then
in place, and the old one--ready to be dismantled--stood on falsework at
the side. The entire job had been accomplished in an interval of seventeen
minutes between trains.
That is not unusual. The floating method is sometimes adopted with
remarkable success--especially in the case of draw-bridge spans. There the
problem complicates itself exceedingly, for both the water and the land
highways must be kept open for traffic; yet it is a matter of record that
the Pennsylvania Railroad, operating a fearfully heavy suburban service in
and out of Jersey City, recently substituted one draw for another on its
Hackensack River Bridge without delaying a single train.
* * * * *
But even in this high noon of the day of steel, the stone bridge holds its
own. The big chiefs of railroad construction look upon it with favor.
Higher priced than a steel bridge of equal capacity it requires initial
outlay. But forever after, it represents a saving--a saving chiefly in
that very important figure, maintenance. A steel bridge requires constant
attention and constant expense. A stone bridge requires little of either;
and therein lies its strength in its old age. Engineers point to such
structures as the Thomas Viaduct down at Relay, or to the wonderful stone
bridges that have stood through the centuries in older lands; they bear in
mind the constant battle that a steel bridge must make against the ravages
of weather and against the sinister thefts of corrosion, and ofttimes they
rule in favor of the oldest type of sizable bridge.
Public-domain text, read in full here on John Shaqi.
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