English poetry -- 19th century; Great Britain -- Colonies -- Africa -- Poetry; Humorous poetry, English
THE MODERN
TRAVELLER
BY
H. B. and B. T. B.
_Authors of “More Beasts (For Worse Children)”_
EDWARD ARNOLD
37, BEDFORD STREET, LONDON
1898
BY THE SAME AUTHORS.
BAD CHILD’S BOOK OF BEASTS.
Fcap. 4to., 2s. 6d. nett.
ALDEN & CO., OXFORD.
MORE BEASTS (for Worse Children).
Demy 4to., 3s. 6d.
EDWARD ARNOLD, LONDON.
[Illustration: Forgive the litter in the room. ** Our traveller and a
journalist in a room littered with miscellaneous African artifacts.]
THE MODERN TRAVELLER.
I.
The _Daily Menace_, I presume?
Forgive the litter in the room.
I can’t explain to you
How out of place a man like me
Would be without the things you see,--
The Shields and Assegais and odds
And ends of little savage gods.
Be seated; take a pew.
(Excuse the phrase. I’m rather rough,
And--pardon me!--but have you got
A pencil? I’ve another here:
The one that you have brought, I fear,
Will not be long enough.)
[Illustration ** A journalist taking notes from our traveller,
who is talking.]
And so the Public want to hear
About the expedition
From which I recently returned:
Of how the Fetish Tree was burned;
Of how we struggled to the coast,
And lost our ammunition;
How we retreated, side by side;
And how, like Englishmen, we died.
Well, as you know, I hate to boast,
And, what is more, I can’t abide
A popular position.
I told the Duke the other day
The way I felt about it.
He answered courteously--“Oh!”
An Editor (who had an air
Of what the Dutch call _savoir faire_)
Said, “Mr. Rooter, you are right,
And nobody can doubt it.”
The Duchess murmured, “Very true.”
Her comments may be brief and few,
But very seldom trite.
Still, representing as you do
A public and a point of view,
I’ll give you leave to jot
A few remarks,--a very few,--
But understand that this is not
A formal interview.
And, first of all, I will begin
By talking of Commander Sin.
[Illustration ** Our traveller and the Duke in evening dress
(tailcoats), standing and talking.]
II.
Public-domain text, read in full here on John Shaqi.
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