That the workman is a better and truer man when he is given control of
the tools and materials of his craft is being found out. There is a
small public growing up that has discrimination enough to want good
work. Honest books begin to sell a little. Honest painting that isn’t
just pretty picture making begins to sell. Puritanism, as such, is
pretty well licked. It cannot any longer so easily suppress books of
artistic merit because some housewife is afraid the morals of her
daughter, who has just come home from the movies or the Follies, will be
ruined by being told how babies happen to be born. The force of the New
England moralistic culture is spent. Today in America any man of talent
who writes a book that is significant, a work of art, can get it
published and there will be critics to acclaim him. The real pioneering
for the better workmen has been done by men like Whitman and Dreiser for
the writers, and others like Stieglitz, Marin and the critics Rosenfeld,
Cheney and others for the painters.
If you want to do good work and can pick up a living in some way there
will be people to recognize what you are trying to do and perhaps no man
has a right to ask more than that. There are ways to get moments of
happiness out of life other than by making money and being successful
and the men who grind out second-rate flashy stories for the magazines
have their bad moments. They are not really happy men. It is no fun,
believe me, to wake up in the middle of the night and to realize that
you have sold out your own craft.
For it is as true as there is a sun in the sky that men cannot live in
the end without love of craft. It is to the man what love of children is
to the woman. When you are considering what it is that makes the younger
generation so restless, what makes the workers on your buildings and in
your factories such indifferent workmen, what makes so much of
contemporary art cheap and transitory, consider also what the
industrial age has tended to do to this old love of craft so deeply
rooted in men.
It is a dangerous process. Soil the workman’s tools and materials long
enough and he may turn and kill you. You are striking at the very root
of the man’s being.
However, I do not want to be sensational. In spite of the growth of
standardization there are for me many hopeful signs. Men are becoming
increasingly conscious of what is being done to them. The very man who
lends his talents to cheapness is unconvinced. He will come to you in
private with an apology. “I have to live,” he will say. “I have a wife
and children. I am only doing cheap work for the time being. When I have
made a little money I intend to do some honest, decent work.”
Public-domain text, read in full here on John Shaqi.
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