That is the truth and yet it is not quite true. What it really means is
that when men are devoted to their work there will still remain a wide
difference of opinion as to methods, treatments of the subject, the
baffling question of form achieved or not achieved--the question of when
a craftsman’s work becomes also a work of art. These are old questions
about which all craftsmen have always struggled among themselves. It is
all a queer and fascinating game just as life itself is queer and
fascinating.
The real reward I fancy lies just in the work itself, nowhere else. If
you cannot get it there, you will not get it at all.
And speaking for my craft I can say that it is tremendously worth while.
You are undertaking a task that can never be finished. You are starting
on a road that has no end. The longest life will be too short to ever
really get you anywhere near what you want. And that I should say is the
best part of the story.
_One thousand copies
of this book have been printed
for The Lantern Press, San Francisco,
(Gelber, Lilienthal, Inc.)
by Edwin & Robert Grabhorn.
Nine hundred & fifty copies are on
B. R. Book Paper,
numbered from 51 to 1000,
and fifty on Japan Vellum, numbered
from 1 to 50._
[Illustration]
_This is copy number_
185
* * * * *
Typographical errors corrected by the etext transcriber:
ever do as as=> ever do as {pg 23}
worked in the the=> worked in the {pg 26}
no absollute standards=> no absolute standards {pg 43}
Public-domain text, read in full here on John Shaqi.
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