East India Company -- Fiction; Historical fiction; India -- History -- 1526-1765 -- Fiction
"And now, many years later, you know." She shifted next to him and
began unfastening the bells on her ankles. They chimed gently as she
carefully laid them aside. Then she opened a small silver box she had
brought and placed a red dot in the middle of her forehead, just below
the pendant jewel.
"I sense the first stirrings of _kama _inside me now. The awakening of
desire. And because I feel it, I know you must feel it too." She
loosened his doublet and pushed him gently against the bolster. The
notes of the flute wound through the dark air around them. Kamala
listened a moment in silence, then slowly rose off the bolster.
She stood before him, holding his gaze with her eyes, and pulled away
the heavy, jeweled belt at the waist of her dance sari. She dropped it
at his feet, never averting her eyes. Then she made a half turn and
twisted her hip gracefully into a voluptuous bulge. The silk clung even
tighter to the statuesque curve of her legs as she crossed her feet
with an almost ceremonial deliberation. Wordlessly she slowly drew the
silk end of the _sari _from across her shoulder and let it drop before
her, revealing the curve of a perfectly spherical breast. Seen from
behind her body was fixed in a perfect double curve, a sensuous "S"
whose top was the full line of her half-revealed breast and whose
bottom was the rounded edge of her hip.
In those few simple motions she had transmuted her body, as though
through some deep cultural memory, into an ancient fertility totem, a
prayer for the bounty of the human loins. It was, Hawksworth suddenly
realized, a pose identical to that of a statue he'd seen in a mossy
temple in Mandu, on the way north from Burhanpur. It was the essence of
the female principle, sharing with the earth itself the power of life.
That stone goddess had automatically stirred his desire, as it had the
desire of man thousands of years before, as it was meant to do. Now it
stood before him.
Before he could move, she turned again and swept up the pleats of silk
that comprised the front of her _sari_. She whipped the loose ends of
silk about her head once, twice, and magically it seemed to evaporate
from her body. All that remained was a small drape of silk about her
waist, held in place by a thin band of jade.
Her body was like ivory, perfect from the band at her neck to the small
rings on her toes, and her breasts billowed full and geometrically
round, a long necklace of pearls nestled between them. As Hawksworth
stared at her dumbfounded, the drummer commenced a finely metered
rhythm timed exactly with his heartbeat.
She moved to Hawksworth's side and slid her left hand beneath his open
doublet. "The very first note of a raga can contain everything if it is
sounded with _prahna_. And the first touch between a man and a woman
can become the OM, the syllable that carries the totality of creation."
Public-domain text, read in full here on John Shaqi.
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