The Monist, Vol. 1, 1890-1891 : $b A quarterly magazineVarious
Philosophy
The Monist, Vol. 1, 1890-1891 : $b A quarterly magazine
Various
Philosophy -- Periodicals
It may be maintained, however, that the distinction of the activities
of consciousness, of sensation, representation, and thinking, is
indispensable in psychology; but, at any rate, there are no different
_kinds_, or even degrees or stages of consciousness. The consciousness
of any simple sensation in kind is not different from the consciousness
of a world; the factor of consciousness in both is the same; the
difference lies exclusively in the content. This also applies to clear
and obscure consciousness.
In order to determine the positive task of psychology, we ought to
discover in every content and in every repeated act of consciousness, a
certain common characteristic. Perception, as such, does not constitute
consciousness, but merely denotes the presence of a multiple content;
apperception, on the other hand, indicates only consciousness in the
definite sense of a "unity" of that multiple content. This unity
of consciousness properly does not appear, or only appears in the
connection of the contents. That peculiarity of consciousness which we
call apperception, is psychologically only apparent in the contents
of consciousness; it does not constitute an object of psychology, but
forms only its extreme limits. The common characteristic of every
content of consciousness is therefore really to be found in the
_connection_ (Verbindung) in which the simple contents are represented
in the repeated acts of consciousness. This connection exists only
subjectively, irrespective of all objective meaning or value.
The existence of phenomena purely as phenomena, their subjective
existence irrespective of object, constitutes their psychic existence
or that side of the phenomenon from which it becomes an object of
psychological research. Under this head come all those phenomena to
which science denies an objective value: illusions of the senses,
mental hallucinations, and the normal non-scientific representations
of things, the creations of the imagination in music and in art, the
entire subjective life of feeling and of aspiration, regarded only as a
particularly characteristic association of representation, irrespective
of all objective truth, which lies beyond the limits of psychology as
such.
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