The Monist, Vol. 3, 1892-1893 : $b A quarterly magazineVarious
Philosophy
The Monist, Vol. 3, 1892-1893 : $b A quarterly magazine
Various
Philosophy -- Periodicals
We have another little volume by M. LOMBROSO, _Les applications de
l’anthropologie criminelle_; a sequel to _Nouvelles recherches_, which
I have mentioned before. We find here interesting pages in regard to
transportation and reform schools, and a criticism of the new theories
of the penal code (Garofalo, Tarde, Sighele, Onanoff and Blorg, Ferri)—a
part of the question considered in the Congress. A chapter indeed is
devoted to the subject of criminal anthropology in modern literature,
in regard to which it seems to me M. Lombroso always makes more of
a question than is desirable, but which he well understands how to
criticise. Then follow several pages on the criminal type in art, after
a work of Dr. Edward Lefort; then comes a description of anthropological
instruments and methods. I will not affirm that this last work brings us
much of novelty; it is chiefly a new and energetic presentation of his
views, and M. Lombroso has no doubt whatever that by dint of striking the
nail upon the head he will succeed in driving it into the wall of his
adversaries.
* * * * *
The work of M. B. BOURDON, _L’expression des emotions et des tendances
dans le langage_, is certainly one of the most curious books one can
read. He treats in an original manner of phonetical questions, which
are less rife in France than in England and Germany, as to what sounds
signify, or speech; what is their worth in intensity, elevation, form or
quality, duration; what phenomena are shown by successions of intensity,
of elevation, of elementary articulation, of syllables, of words, etc.,
of duration; what are the relations of these phenomena to versification
and what comparison one can make between writing and speech: such are the
problems particularly studied, at times with the aid of very simple but
instructive facts culled from experience.
Public-domain text, read in full here on John Shaqi.
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