The unconscious Séverine is but one of thousands of pretty Frenchwomen
tripping along the asphalt at this hour, utterly unable to distinguish
between right and wrong, who are ready to do anything, to sell
themselves body and soul for a little ease, a few smart frocks, and
some dainty linen. The warrior girl Flore, who thrashes the males, is a
grand conception.
But the gem of the whole bunch is that obstinate, narrow-minded,
self-sufficient examining-magistrate, M. Denizet; and in dealing with
this character, the author lays bare all the abominable system of
French criminal procedure. Recently this was modified to the extent
of allowing the accused party to have the assistance of counsel while
undergoing the torture of repeated searching cross-examinations at
the hands of his tormentor. But in the days of which M. Émile Zola is
writing, the prisoner enjoyed no such protection. He stood alone in the
room with the examining-magistrate and his registrar, and while the
former craftily laid traps for him to fall into, the latter carefully
took down his replies to the incriminating questions addressed to him.
It positively makes one shudder to think how many innocent men must
have been sent to the guillotine, or to penal servitude for life,
like poor Cabuche, during the length of years this atrocious practice
remained in full vigour!
The English reader, accustomed to open, even-handed justice for one and
all alike, and unfamiliar with the ways that prevail in France, will
start with amazement and incredulity at the idea of shelving criminal
cases to avoid scandal involving persons in high position. But such is
by no means an uncommon proceeding on the other side of the straits.
Georges Ohnet introduces a similar incident into his novel _Le Droit de
l'Enfant_.
M. Émile Zola has made most of his books a study of some particular
sphere of life in France. In this instance he introduces his readers
to the railway and railway servants. They are all there, from the
station-master to the porter, and all are depicted with so skilful a
hand that anyone who has travelled among our neighbours must recognise
them.
By frequent runs on an express engine between Paris and Havre, and
vice versâ, the author has mastered all the complicated mechanism of
the locomotive; and we see his trains vividly as in reality, starting
from the termini, gliding along the lofty embankments, through the
deep cuttings, plunging into and bursting from the tunnels amidst the
deafening riot of their hundred wheels, while the dumpy habitation of
the gatekeeper, Misard, totters on its frail foundations as they fly by
in a hurricane blast.
Public-domain text, read in full here on John Shaqi.
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