However indifferent a draughtsman an observer may be, if he endeavours to portray what he sees to the best of his ability, he will ultimately attain sufficient skill to make his work useful for future reference: in any case, it will be of more value than a mere verbal description without a sketch. Doubt and uncertainty invariably attend to a greater or less extent written notes unaccompanied by drawings, as some recent controversies, respecting changes in Linne and elsewhere, testify. Now that photographs are generally available to form the basis of a more complete sketch, much of the difficulty formerly attending the correct representation of the outline and grosser features of a formation has been removed, and the observer can devote his time and attention to the insertion and description of less obvious objects. PROGRESS OF SELENOGRAPHY.--Till within recent years, the systematic study of the lunar surface may be said to have been confined, in this country at any rate, to a very limited number of observers, and, except in rare instances, those who possessed astronomical telescopes only directed them to the moon as a show object to excite the wonder of casual visitors. The publication of Webb's "Celestial Objects" in 1859, the supposed physical change in the crater Linne, announced in 1866, and the appearance of an unrecorded black spot near Hyginus some ten years later, had the effect of awakening a more lively interest in selenography, and undoubtedly combined to bring about a change in this respect, which ultimately resulted in the number of amateurs devoting much of their time to this branch of observational astronomy being notably increased. Still, large telescopes, as a rule, held aloof for some unexplained reason, or were only employed in a desultory and spasmodic fashion, without any very definite object. When the Council of the British Association for the Advancement of Science, stimulated by the Linne controversy, deemed the moon to be worthy of passing attention, observations, directed to objects suspected of change (the phenomena on the floor of Plato) were left to three or four observers, under the able direction of Mr. Birt, the largest instruments available being an 8 1/4 inch reflector and the Crossley refractor of 9 inches aperture! During the last decade, however, all this has been changed, and we not only have societies, such as the British Astronomical Association, setting apart a distinct section for the systematic investigation of lunar detail, but some of the largest and most perfect instruments in the world, among them the noble refractor on Mount Hamilton, employed in photographing the moon or in scrutinising her manifold features by direct observation. Hence, it may be said that selenography has taken a new and more promising departure, which, among other results, must lead to a more accurate knowledge of lunar topography, and settle possibly, ere long, the vexed question of change, without any residuum of doubt.