"Shall I keep the engines running?" he asked. "Our uranium is getting
low, I'm afraid. The gage indicates that over seventy per cent has been
used."
"Troubles never come singly!" exclaimed the master of the Ring. "Here
we are, going we don't know where, gravitating around the moon,
perhaps, and our fuel giving out! We've got to get a fresh cylinder
into the tractor to get back, and it will be bad business making the
change in space. We ought to land and make repairs and get a fresh
start with new bearings."
"Land?" gasped Rhoda, in astonishment. "Where?"
"On the moon, of course. It's only ten thousand miles away, and we're
headed straight for her, apparently. Turn her over again, Burke, and
we'll slow down. It's going to be ticklish business, but I don't see
what else we can do. We may go to smash and we may not. It all depends
on whether we have time to overcome our velocity before we get there.
We could slue off and run by, of course, but our uranium might give
out, and then what should we do? Anyhow, there's no time to be lost."
Yet, accustomed as Rhoda now was to supernormal situations and
surroundings, Bennie's practical suggestion of landing on the moon,
which, after all, was the one celestial body with which they were at
all familiar, seemed utterly inconceivable of execution.
"The moon!" she repeated vaguely. "The moon!"
She had seen the moon off and on with the greatest regularity for
nearly thirty years--had photographed it, drawn pictures of it,
made calculations about it, and read all sorts of fanciful yarns
concerning it and its imaginary inhabitants. She really knew a good
deal about it and could call some of its mountains and dried-up seas
by name--Copernicus, for instance, and Tycho--but she had never taken
it seriously--had regarded it rather as a sort of stage-setting for
the earth. Thus, when Bennie proposed, almost casually, to set foot on
what had hitherto been nothing more than an abstraction or figure of
speech, it left her uncomprehending. She had always associated the moon
with harvest-fields, straw-rides, weddings, and green cheese. There was
a "man in the moon," a "lady in the moon" and "two children carrying
a pail" up there--in it. That was the moon of her childhood and when
she was "off duty"--the real moon. The other one--the imaginary moon,
far less real in every respect--was the one she knew in her work--a
dead world of pitted craters, dry oceans, marked with strange, shining
furrows and concentric circles, just so many thousand miles from the
earth and having regular habits that could be absolutely relied upon.
That was not the real moon at all. The genuine moon, as far as she was
concerned, was the old-fashioned one--that cast its yellow light over
pumpkin-sprinkled fields and down leafy lanes, or rose like a huge red
lantern out of a sparkling blue-black ocean. The real moon signified
coon-hunting, fried chicken, banjos, and "Merrily We Roll Along." The
Public-domain text, read in full here on John Shaqi.
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