Coincidentally with my recognition came a shock of surprise,
definitely--unpleasant. It was Throckmartin--but about him was
something disturbingly unlike the man I had known long so well and to
whom and to whose little party I had bidden farewell less than a month
before I myself had sailed for these seas. He had married only a few
weeks before, Edith, the daughter of Professor William Frazier,
younger by at least a decade than he but at one with him in his ideals
and as much in love, if it were possible, as Throckmartin. By virtue
of her father's training a wonderful assistant, by virtue of her own
sweet, sound heart a--I use the word in its olden sense--lover. With
his equally youthful associate Dr. Charles Stanton and a Swedish
woman, Thora Halversen, who had been Edith Throckmartin's nurse from
babyhood, they had set forth for the Nan-Matal, that extraordinary
group of island ruins clustered along the eastern shore of Ponape in
the Carolines.
I knew that he had planned to spend at least a year among these ruins,
not only of Ponape but of Lele--twin centres of a colossal riddle of
humanity, a weird flower of civilization that blossomed ages before
the seeds of Egypt were sown; of whose arts we know little enough and
of whose science nothing. He had carried with him unusually complete
equipment for the work he had expected to do and which, he hoped,
would be his monument.
What then had brought Throckmartin to Port Moresby, and what was that
change I had sensed in him?
Hurrying down to the lower deck I found him with the purser. As I
spoke he turned, thrust out to me an eager hand--and then I saw what
was that difference that had so moved me. He knew, of course by my
silence and involuntary shrinking the shock my closer look had given
me. His eyes filled; he turned brusquely from the purser, hesitated--then
hurried off to his stateroom.
"'E looks rather queer--eh?" said the purser. "Know 'im well, sir?
Seems to 'ave given you quite a start."
I made some reply and went slowly up to my chair. There I sat,
composed my mind and tried to define what it was that had shaken me
so. Now it came to me. The old Throckmartin was on the eve of his
venture just turned forty, lithe, erect, muscular; his controlling
expression one of enthusiasm, of intellectual keenness, of--what shall
I say--expectant search. His always questioning brain had stamped its
vigor upon his face.
But the Throckmartin I had seen below was one who had borne some
scaring shock of mingled rapture and horror; some soul cataclysm that
in its climax had remoulded, deep from within, his face, setting on it
seal of wedded ecstasy and despair; as though indeed these two had
come to him hand in hand, taken possession of him and departing left
behind, ineradicably, their linked shadows!
Yes--it was that which appalled. For how could rapture and horror,
Heaven and Hell mix, clasp hands--kiss?
Yet these were what in closest embrace lay on Throckmartin's face!
Public-domain text, read in full here on John Shaqi.
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