The moonshiners at Hoho-hebee Falls: 1895Craddock, Charles Egbert
General
The moonshiners at Hoho-hebee Falls: 1895
Craddock, Charles Egbert
Fiction
She hesitated for a moment. Any anxiety, any trouble, seemed so
incongruous with the sweet spring-tide peace in the air, that one did
not readily take it home to heart. Hope was in the atmosphere like an
essential element; one might call it oxygen or caloric or vitality,
according to the tendency of mind and the habit of speech. But the heart
knew it, and the pulses beat strongly responsive to it. Faith ruled the
world. Some tiny bulbous thing at her feet that had impeded her step
caught her attention. It was coming up from the black earth, and the
buried darkness, and the chill winter's torpor, with all the impulses
of confidence in the light without, and the warmth of the sun, and the
fresh showers that were aggregating in the clouds somewhere for its
nurture--a blind inanimate thing like that! But Tyler Sudley felt none
of it; the blow had fallen upon him, stunning him. He stood silent,
looking gropingly into the purple dusk, veined with silver glintings
of the moon, as if he sought to view in the future some event which he
dreaded, and yet shrank to see.
She had rarely played the consoler, so heavily had she and all her
griefs leaned on his supporting arm. It was powerless now. She perceived
this, all dismayed at the responsibility that had fallen upon her. She
made an effort to rally his courage. She had more faith in it than in
her own.
“'Feard o' _him!_” she exclaimed, with a sharp tonic note of satire.
“Kem in an' view him.”
“Laurely,” he quavered, “I oughter hev got it down in writin' from him;
I oughter made him sign papers agreein' fur me ter keep the boy till he
growed ter be his own man.”
She, too, grew pale. “Ye ain't meanin' ter let him take the boy sure
enough!” she gasped.
“I moughtn't be able ter holp it; I dun'no' how the law stands. He air
kin ter Lee-yander, an' mebbe hev got the bes' right ter him.”
She shivered slightly; the dew was falling, and all the budding herbage
was glossed with a silver glister. The shadows were sparse. The white
branches of the aspens cast only the symmetrical outline of the tree
form on the illumined grass, and seemed scarcely less bare than in
winter, but on one swaying bough the mocking-bird sang all the joyous
prophecies of the spring to the great silver moon that made his gladsome
day so long.
She was quick to notice the sudden cessation of his song, the alert,
downward poise of his beautiful head, his tense critical attitude.
A mimicking whistle rose on the air, now soft, now keen, with swift
changes and intricate successions of tones, ending in a brilliant
borrowed roulade, delivered with a wonderful velocity and _elan_. The
long tail feathers, all standing stiffly upward, once more drooped; the
mocking-bird turned his head from side to side, then lifting his full
throat he poured forth again his incomparable, superb, infinitely
versatile melody, fixing his glittering eye on the moon, and heeding the
futilely ambitious worldling no mote.
Public-domain text, read in full here on John Shaqi.
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