The moonshiners at Hoho-hebee Falls: 1895Craddock, Charles Egbert
General
The moonshiners at Hoho-hebee Falls: 1895
Craddock, Charles Egbert
Fiction
It may be that the methods of his “Neighbor” and the “Captain” in the
rearing of Leander, the one with unbridled leniency, the other with
spurious severity and affected indifference, had combined to foster
self-reliance and decision of character, or it may be that these
qualities were inherent traits. At all events, he encountered the
emergency without an instant's hesitation. He felt no need of counsel.
He had no doubts. He carried to his pallet in the roof-room no
vacillations and no problems. His resolve was taken. For a time, as he
listened to the movements below-stairs, the sound of voices still rose,
drowsy as the hour waxed late; the light that flickered through the
cracks in the puncheon flooring gradually dulled, and presently a harsh
grating noise acquainted him with the fact that Sudley was shovelling
the ashes over the embers; then the tent-like attic was illumined only
by the moonlight admitted through the little square window at the gable
end--so silent, so still, it seemed that it too slept like the silent
house. The winds slumbered amidst the mute woods; a bank of cloud that
he could see from his lowly couch lay in the south becalmed. The bird's
song had ceased. It seemed to him as he lifted himself on his elbow that
he had never known the world so hushed. The rustle of the quilt of gay
glazed calico was of note in the quietude; the impact of his bare foot
on the floor was hardly a sound, rather an annotation of his weight and
his movement; yet in default of all else the sense of hearing marked it.
His scheme seemed impracticable as for an instant he wavered at the head
of the ladder that served as a stairway; the next moment his foot was
upon the rungs, his light, lithe figure slipping down it like a shadow.
The room below, all eclipsed in a brown and dusky-red medium, the
compromise between light and darkness that the presence of the embers
fostered, was vaguely revealed to him. He was hardly sure whether he saw
the furniture all in place, or whether he knew its arrangement so well
that he seemed to see. Suddenly, as he laid his hand on the violin on
the wall, it became visible, its dark red wood richly glowing against
the brown logs and the tawny clay daubing. A tiny white flame had shot
up in the midst of the gray ashes, as he stood with the cherished object
in his cautious hand, his excited eyes, dilated and expectant, searching
the room apprehensively, while a vague thrill of a murmur issued from
the instrument, as if the spirit of music within it had been wakened by
his touch--too vague, too faintly elusive for the dormant and somewhat
dull perceptions of Nehemiah Yerby, calmly slumbering in state in the
best room.
Public-domain text, read in full here on John Shaqi.
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