The moonshiners at Hoho-hebee Falls: 1895Craddock, Charles Egbert
General
The moonshiners at Hoho-hebee Falls: 1895
Craddock, Charles Egbert
Fiction
She paused, setting her gaunt arms akimbo, and wearing the manner of
one whose kindly patience is beyond limit abused. “Kems in hyar, he do,
a'totin' a fiddle. An' I says, 'Lee-yander Yerby, don't ye know that
thar thing's the devil's snare?' 'N'aw, ma'am, cap'n,' he says, grinnin'
like a imp; 'it's _my_ snare, fur I hev bought it from Peter Teazely
fur two rabbits what I cotch in my trap, an' my big red rooster, an' a
bag o' seed pop-corn, an' the only hat I hev got in the worl'. An' with
that the consarn gin sech a yawp, it plumb went through my haid, An'
then the critter jes tuk ter a-bowin' it back an' forth, a-playin' 'The
Chicken in the Bread-trough' like demented, a-dancin' off on fust one
foot an' then on t'other till the puncheons shuck. An' I druv him out
the house. I won't stan' none o' Satan's devices hyar! I tole him he
couldn't fetch that fiddle hyar whenst he kems home ter-night, an' I be
a-goin' ter make him a sun-bonnet or a nightcap ter wear stiddier his
hat that he traded off.”
She paused.
Her husband had risen, the glow of his pipe fading in his unheeding
hand, his excited eyes fixed upon her. “Laurely,” he exclaimed, “ye
ain't meanin' ez that thar leetle critter could play a chune fust off on
a fiddle 'thout no larnin'!”
She nodded her head in reluctant admission.
He opened his mouth once or twice, emitting no sound. She saw how
his elation, his spirit of commendation, his pride, set at naught her
displeasure, albeit in self-defence, perchance, he dared not say a
word. With an eye alight and an absorbed face, he laid his pipe on the
mantel-piece, and silently took his way out of the house in search of
the youthful musician.
Easily found! The racked and tortured echoes were all aquake within
half a mile of the spot where, bareheaded, heedless of the threatened
ignominy alike of sun-bonnet or nightcap, Leander sat in the flickering
sunshine and shadow upon a rock beside the spring, and blissfully
experimented with all the capacities of catgut to produce sound.
“Listen, Neighbor!” he cried out, descrying Tyler Sudley, who, indeed,
could do naught else--“_listen!_ Ye won't hear much better fiddlin' this
side o' kingdom come!” And with glad assurance he capered up and down,
the bow elongating the sound to a cadence of frenzied glee, as his arms
sought to accommodate the nimbler motions of his legs.
Public-domain text, read in full here on John Shaqi.
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