not marry without his consent, and if slaves of neighbouring estates
intermarried, their children were distributed between the owners of the
several properties. The middle classes bore, as in Roman times, the
burden of taxation, and were consequently bankrupt and ruined: the land
was still in the hands of the few, and the large estates were
indifferently cultivated by crowds of miserable slaves, whose dreary
lives were brightened by no hope of improvement or dream of release
before death. The very clergy, who preached about the brotherhood of
Christians, now that they had become rich and owned great estates,
joined in the traditional policy and treated their slaves and serfs as
badly as any Roman noble. The rich were sunk in the same slough of
sensuality that had proved the ruin of the Romans, and the vices of the
Christian Goths rivalled, if they did not exceed, the polished
wickedness of the pagans. "King Witiza," says the chronicler, anxious to
find some reason for the overthrow of the Christians by the Saracens,
"taught all Spain to sin." Spain, indeed, knew only too well how to sin
before, and Witiza may have been no worse than his predecessors; but the
Goths gave a fresh license to the general corruption. The vices of
barbarians show often a close resemblance to those of decayed
civilization, and in this instance the change of rulers brought no
amelioration of morals.[1]
Such was the condition of Spain when the Mussulman approached her
borders. A corrupt aristocracy divided the land among themselves; the
great estates were tilled by a wretched and hopeless race of serfs; the
citizen classes were ruined. On the other side of the straits of
Gibraltar were the soldiers of Islam, all hardy warriors, fired with the
fervour of a new faith, bred to arms from their childhood, simple and
rude in their life, and eager to plunder the rich lands of the infidels.
Between two such peoples there could be no doubt as to the issue of the
fight; but to remove the possibility of doubt, treachery came to the aid
of the invaders.
[Illustration: TOLEDO.]
Public-domain text, read in full here on John Shaqi.
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