From the ruined building one gains, perhaps, the most satisfactory view
of the Alhambra, as its reddish line of half-demolished walls is traced
along the undulations of the mountain on which it stands; while the
white ridges of the Sierra Nevada furnish a magnificent background for
the picture, and set off the heavy mass of the unfinished palace of
Charles the Fifth.
Two centuries of prosperity, with a powerful Christian State almost at
bow-shot, were as much as the Moors had any right to expect; and
towards the third quarter of the fifteenth century there were signs that
their knell was about to sound. The union of Aragon with Castile by the
marriage of Ferdinand and Isabella was the note of doom. Two such
sovereigns could not long leave the Moors undisturbed in their corner of
the peninsula. Muley Aly, generally known by his surname, Abu-l-Hasan
(which the Spaniards change into Alboacen, and many English writers into
Aben Hasan), who was of a fiery and warlike nature, resolved to be
beforehand with their Catholic majesties in opening the game of war. He
refused to pay the customary tribute, and when the ambassador of
Ferdinand came to insist, he made answer: "Tell your sovereigns that the
kings of Granada who paid tribute are dead: our mint now coins nothing
but sword-blades!" To make his meaning unmistakable, he proceeded to
carry a raid into the lands of the Christians. Zahara was the spot he
selected for attack. A gifted American author has told the story of the
last wars of the Moors in his own eloquent style; and we must follow
Washington Irving in relating the assault of Zahara.[27]
[Illustration: PLAN OF THE ALHAMBRA]
Public-domain text, read in full here on John Shaqi.
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