The Moral and Intellectual Diversity of Races: With Particular Reference to Their Respective Influence in the Civil and Political History of MankindGobineau, Arthur, comte de
Philosophy
The Moral and Intellectual Diversity of Races: With Particular Reference to Their Respective Influence in the Civil and Political History of Mankind
[116] This is no exaggeration, as every one acquainted with French
history knows. In the great revolution of the last century, the
peasantry of France took no interest and no part. In the Vendée, indeed,
they fought, and fought bravely, for the ancient forms, their king, and
their feudatory lords. Everywhere else, the rural districts remained in
perfect apathy. The revolutions since then have been decided in Paris.
The _émeutes_ seldom extended beyond the walls of the great cities. It
is a well-known fact, that in many of the rural districts, the peasants
did not hear of the expulsion of the Bourbon dynasty, until years
afterwards, and even then had no conception of the nature of the change.
Bourbon, Orleans, Republic, are words, to them, of no definite meaning.
The only name that can rouse them from their apathy, is "Napoleon." At
that sound, the Gallic heart thrills with enthusiasm and thirst for
glory. Hence the unparalleled success with which the present emperor has
appealed to universal suffrage.--H.
[117] It is not generally appreciated how much we are indebted to
Oriental civilizations for our lighter and more graceful literature. Our
first works of fiction were translations or paraphrases of Eastern tales
introduced into Western Europe by the returning crusaders. The songs of
the troubadour, the many-tomed romances of the Middle Ages--those
ponderous sires of modern novels--all emanated from that source. The
works of Dante, Tasso, Ariosto, Boccacio, and nearer home, of Chaucer
and Spenser, are incontestable proofs of this fact. Even Milton himself
drew from the inexhaustible stores of Eastern legends and romances. Our
fairy tales, and almost all of our most graceful lyric poesy, that is
not borrowed from Greece, is of Persian origin. Almost every popular
poet of England and the continent has invoked the Oriental muse, none
more successfully than Southey and Moore. It would be useless to allude
to the immense popularity of acknowledged versions of Oriental
literature, such as the _Thousand and One Nights_, the Apologues,
Allegories, &c. What we do not owe to the East, we have taken from the
Greeks. Even to this day, Grecian mythology is the never-failing
resource of the lyric poet, and so familiar has that graceful imagery
become to us, that we introduce it, often _mal-à-propos_, even in our
colloquial language.
In metaphysics, also, we have confessedly done little more than revive
the labors of the Greeks.--H.
CHAPTER X.
QUESTION OF UNITY OR PLURALITY OF SPECIES.
Systems of Camper, Blumenbach, Morton, Carus--Investigations of Owen,
Vrolik, Weber--Prolificness of hybrids, the great scientific
stronghold of the advocates of unity of species.
It will be necessary to determine first the physiological bearing of the
word _race_.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account