The Moral and Intellectual Diversity of Races: With Particular Reference to Their Respective Influence in the Civil and Political History of MankindGobineau, Arthur, comte de
Philosophy
The Moral and Intellectual Diversity of Races: With Particular Reference to Their Respective Influence in the Civil and Political History of Mankind
The state of our civilization does not, therefore, prove the unlimited
perfectibility of man. If he have learned many things, he has forgotten
others. He has not added another to his senses; his soul is not enriched
by one new faculty. I cannot too much insist upon the great though sad
truth, that whatever we gain in one direction is counterbalanced by some
loss in another; that, limited as is our intellectual domain, we are
doomed never to possess its whole extent at once. Were it not for this
fatal law, we might imagine that at some period, however distant, man,
finding himself in possession of the experience of successive ages, and
having acquired all that it is in his power to acquire, would have
learned at last to apply his acquisitions to his welfare--to live
without battling against his kind, and against misery; to enjoy a state,
if not of unalloyed happiness, at least of abundance and peace.
But even so limited a felicity is not promised us here below, for in
proportion as man learns he unlearns; whatever he acquires, is at the
cost of some previous acquisition; whatever he possesses he is always in
danger of losing.
We flatter ourselves with the belief that our civilization is
imperishable, because we possess the art of printing, gunpowder, the
steam engine, &c. These are valuable means to accomplish great results,
but the accomplishment depends on their use.
The art of printing is known to many other nations beside ourselves, and
is as extensively used by them as by us.[178] Let us see its fruits. In
Tonquin, Anam, Japan, books are plentiful, much cheaper than with
us--so cheap that they are within the reach of even the poorest--and
even the poorest read them. How is it, then, that these people are so
enervated, so degraded, so sunk in sloth and vice[179]--so near that
stage in which even civilized man, having frittered away his physical
and mental powers, may sink infinitely below the rude barbarian, who, at
the first convenient opportunity, becomes his master? Whence this
result? Precisely because the art of printing is a means, and not an
agent. So long as it is used to diffuse sound, sterling ideas, to afford
wholesome and refreshing nutriment to vigorous minds, a civilization
never decays. But when it becomes the vile caterer to a depraved taste,
when it serves only to multiply the morbid productions of enervated or
vitiated minds, the senseless quibbles of a sectarian theology instead
of religion, the venomous scurrility of libellists instead of politics,
the foul obscenities of licentious rhymers instead of poesy--how and why
should the art of printing save a civilization from ruin?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account