The Mormons and the Theatre; or, The History of Theatricals in UtahLindsay, John S. (John Shanks)
Religion
The Mormons and the Theatre; or, The History of Theatricals in Utah
Lindsay, John S. (John Shanks)
Latter Day Saints; Theater -- Utah -- History
After the burning of "The Walker," Malloy's Livery Stable, directly
opposite the Walker, was converted into a theatre, when it was decided
to build an office block on the ruins of the Walker. For some time it
was known as "Wonderland," and was a two storied show; the upper story
being a sort of curiosity shop--or Wonderland with specialties and the
lower story having a small stage was devoted to vaudeville, and short
plays. Afterwards the two stories were thrown into one room, and
converted into a theatre with capacity for about six hundred people.
It was called the Lyceum. Here a stock company was run for about a
year with varying fortune. Some actors who have since won high places
in their professions were members of this stock, notably Charles
Richman, Ed Hayes, Victory Bateman.
The Lyceum soon went into a decline struggled along for a few years
against adverse fortune and finally yielded up the ghost. It was
transformed into a handsome saloon and wholesale liquor house, from
which a greater revenue is derived than it yielded as a theatre.
Before the Lyceum went out of commission as a theatre another
theatrical venture was launched. This was the Grand. This theatre was
built (or partly so) by Mr. Frank Maltese and Mr. "Brig" Pyper. The
story of how they projected, planned and built this theatre is told as
follows: "Brig" and "Frank" made a winning in a "policy drawing." They
held between them a one-fourth interest in a fifty-dollar policy
ticket. In a sporty manner they bantered each other as to what they
should do with their big winning of $12.50. One was in favor of
reinvesting it in the next policy drawing, the other for trying their
luck at the "faro-bank." Finally, in a lurid flash of imagination one
(which one we don't remember, but we believe it was Frank), exclaimed:
"Let's build an Opera House with it." The idea was so absurd, they had
a good laugh over it; but the thought took hold of them, and one of
them suggested, "Let's figure up and see _how much more_ it will
take." So on the back of the policy ticket they figured up roughly
what it would take in addition to their winnings to build "The Grand."
The result was no doubt staggering; but undismayed they went about to
see how they could accomplish such a herculean task. They owned some
property, or their folks did, and this they decided to put in jeopardy
in order to carry out their designs. They secured the building site,
and got the walls up and the roof on--and then they were stuck. They
had reached the end of their financial tether, and were forced to stop
until they could make some new deal by which to complete the building.
Mr. Alec Rogers was the party who now came to the front and put up
some $16,000 to complete the building. We don't know just how much
interest the boys Maltese and Pyper had remaining in it when the
theatre was completed, but we opine it was little if any. The Grand
opened with the house in the possession of Alex. Rogers and sons, and
Public-domain text, read in full here on John Shaqi.
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