The Mormons and the Theatre; or, The History of Theatricals in UtahLindsay, John S. (John Shanks)
Religion
The Mormons and the Theatre; or, The History of Theatricals in Utah
Lindsay, John S. (John Shanks)
Latter Day Saints; Theater -- Utah -- History
During the summer of '62 the theatre was rushed to completion. On
December 24, '62, the completed theatre was again formally dedicated
and the following night, Christmas, the Stock Company opened up for a
regular winter season in the "Honeymoon" under the direction and
tutorship of our old Nauvoo favorite, Tom Lyne, who had learned of the
opening of Brigham Young's new theatre, and saw a chance to renew his
acquaintance with his old friends, and do a little business with them
in their new temple of the drama.
After a lapse of nearly twenty years, during which his old friends and
admirers had completely lost sight of him, he suddenly "bobs up
serenely" at Denver where he had been playing an engagement with J. S.
Langrishe; from here he corresponded with Manager Clawson with the
result that he was engaged to come to the Salt Lake Theatre as a tutor
to the company. He was received with great kindness by the company and
managers, and especially by Brigham Young, who treated him with marked
consideration. He coached the company and directed several plays for
them, but that was an irksome task for Lyne; he wanted to face the
public himself. He saw a great opportunity and did not rest content
until he had secured a starring engagement with the managers.
Accordingly it was not long before the veteran tragedian (Lyne was now
fifty-six) was announced to appear in a round of favorite characters
supported by the Theatre Stock Company. He opened on January 14th in
"Damon" to a packed house and played in quick succession the
characters of "Richelieu," "Othello," "Richard," "William Tell," "Sir
Giles Overreach," and Rolla in "Pizarro." In the latter play he could
not expect to have any of the old Nauvoo cast, especially Brigham
Young for the "High Priest," as he was now reigning as High Priest in
reality; but he found a very capable successor in the person of George
Teasdale, who since his experience in this part found promotion in the
priestly line until he became one of the chief high priests of the
church and a member of the Twelve. There is certainly some charm in
that character of the "High Priest" in "Pizarro."
Public-domain text, read in full here on John Shaqi.
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