The Mormons and the Theatre; or, The History of Theatricals in Utah — John Shaqi
The Mormons and the Theatre; or, The History of Theatricals in UtahLindsay, John S. (John Shanks)
Religion
The Mormons and the Theatre; or, The History of Theatricals in Utah
Lindsay, John S. (John Shanks)
Latter Day Saints; Theater -- Utah -- History
"Charley" Millard was the property
man, and Charley could manufacture anything in the shape of a "prop"
from a throne chair to a cuspidor, from a papier mache cannon to a
firecracker, from a basket horse to a baby; so that in the course of a
dozen years the property room became a veritable museum, an "old
curiosity shop" well worth an hour of anybody's time to examine.
There was a wardrobe department, which was equal in importance if not
superior to the scenic arid property departments. This was presided
over by Mr. Claud Clive, an expert tailor, who with his assistants,
manufactured all the costumes for the male characters of the plays,
while the female costume department was presided over by Mrs. Marion
Bowring. Mr. Robert Neslen had general charge of the costume and wig
department, and dispensed the necessary apparel and wigs to the
company. There was also a tonsorial artist connected with the house,
who was always there to curl a wig or put it on in good shape for the
actors who needed such assistance. John Squires was the tonsorial
artist--he was a busy man in those days. He had his shop in a little
adobe house that stood directly opposite the "President's Office" on
the lot where the Amelia Palace was afterwards erected. John was the
President's barber, and had a large run of custom from the church and
tithing offices, besides nearly all the actors patronized him, so that
he was a prosperous man in the community. He continued to shave his
share of the people up to within a recent date, when he was obliged to
retire; "age with his stealing steps had clawed him in his clutch," so
this knight of the razor was reluctantly compelled to lay down the
implements of tonsorial art, the strong steady hand that once could
clean a man's cheek in about three strokes had grown weak and
tremulous, and but recently he passed peacefully away to that better
land where it is to be hoped there is no shaving or need of hair-dye.
His place is amply filled, however, for John has a numerous
progeny--and all his sons and grandsons, so far as we know them, are
barbers. Here we find a true touch of heredity.
Public-domain text, read in full here on John Shaqi.
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