The Mormons and the Theatre; or, The History of Theatricals in Utah — John Shaqi
The Mormons and the Theatre; or, The History of Theatricals in UtahLindsay, John S. (John Shanks)
Religion
The Mormons and the Theatre; or, The History of Theatricals in Utah
Lindsay, John S. (John Shanks)
Latter Day Saints; Theater -- Utah -- History
He, however, secured the building
site, by some kind of a deal with "Tommy" Bullock. It was about where
Dinwoodey's furniture store now stands. Potter had little or no money
with which to start such an enterprise, so Lyne introduced Mr. Potter
to such of the merchants and lumbermen as he wanted to do business
with. Potter played a bold game, and really accomplished a great feat
in the building of this theatre. He got from sixty to ninety days'
credit for everything nearly that went into the construction of the
building. It was a cheap affair; built of poles, hewn to an even size
and placed in the ground like fence posts; then boarded on both sides
with rough boards, the space between the inside and outside boarding
being filled in with sawdust and refuse tan bark from the tanneries,
to make the building warm. The place was about half the size of the
Salt Lake Theatre; that is, it had about half the seating capacity and
a stage about one-fourth the size of the theatre. The structure,
including the lease of ground, cost about $7,000. It was put up in
about thirty days, so that Potter had a month's more time in which to
pay for the bulk of the material, but the merchants and laborers who
did the building were worrying his life out long before he got it
going, for their money. He proved to be an expert at "standing off"
his creditors, however, so by hook and crook he got the building
completed, his company reorganized, and the theatre started. Some very
amusing stories were related of him at the time; how he would cajole
and stuff with promises the dissatisfied workmen as to what he would
do as soon as he got the house open. One man went to him with the
sorrowful story that his landlady had refused to credit him any
longer, and he must have money to pay his board and lodgings. Potter
looked at him pityingly, and expressed his regret that he could do
nothing for him till he got the theatre going. "It will soon be
finished now; tell your landlady this, and if this will not appease
her, change your boarding house." To such like desperate shifts and
subterfuges was he obliged to resort to keep the men at work, doling
them out a few dollars at a time, when they became unmanageable or
threatened to quit. Eventually the house was ready for opening and
"Tom" Lyne had to have the first "whack" at the new box office
receipts.
Public-domain text, read in full here on John Shaqi.
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