Mrs. Hayne's last appearance at the Salt Lake Theatre was an event marked with quite as much if not more of interest than her first appearance. She had become endeared to the Salt Lake public, and they regarded her approaching departure with genuine regret. At her last performance, June 30th, 1866, she appeared as "Camille," the same character in which she opened her engagement, and was the recipient on this occasion of many tokens of kindness and appreciation. Being called enthusiastically to the front of the curtain after the performance, she bade a loving farewell to Salt Lake and its people in one of the most delicately and tastefully worded speeches ever made in front of a theatre drop. During her long engagement, lasting from August 11th, '65, to June 30th, '66, she played all the great classic female roles that were then popular, a number of comedies, and even took a dip into extravaganza or burlesque, appearing during the holiday season in the character of Alladin in "The Wonderful Lamp," which ran for eleven consecutive performances. Her best remembered characters are "Camille," "Lady Macbeth," "Leah," "Parthenia," "Julia" (in the "Hunchback"), "Lucretia Borgia," "Medea," "Marco," "Lady Teazle," "Peg Woffington," and "Pauline" in the "Lady of Lyons." In her ten months' engagement, she played a great many plays besides those mentioned, each play being presented twice or three times, according to its popularity. Among others, an Indian play, entitled "Osceola," written by E. L. Sloan, then editor of the Salt Lake Herald, in which Mr. George Waldron played the title role and Mrs. Hayne the chief's daughter. The piece had a fair success, but has never been heard of since. Mr. Sloan wrote another play a year or two later, about the time of the completion of the overland railroad, which he called "Stage and Steam." This was a melodrama with a stage coach and railway train in it, intended to illustrate the march of civilization. It had two presentations, and was never acted again that we are aware of. It was during Mrs. Hayne's engagement also that Mr. Edward W. Tullidge made his first essay as a dramatic author--Mrs. Hayne and Mr. Waldron had exhausted the list of available plays and new plays were in demand. Tullidge's play was entitled "Eleanor de Vere," or "The Queen's Secret," an episode of the Elizabethan Court--in which Queen Elizabeth was a secondary character. Tullidge had written his play with various members of the company in his eye, and succeeded in fitting them very well. This play made a very favorable impression and was repeated several times to large and appreciative audiences. Mrs. Hayne's character, "Eleanor de Vere," was one of the Queen's waiting women, in love with "Rochester," and afforded the actress very good scope for her great talent, but the character of Queen Elizabeth, although a secondary part in the play, made such a favorable impression on Mrs. Hayne that she asked Mr.