The Mormons and the Theatre; or, The History of Theatricals in UtahLindsay, John S. (John Shanks)
Religion
The Mormons and the Theatre; or, The History of Theatricals in Utah
Lindsay, John S. (John Shanks)
Latter Day Saints; Theater -- Utah -- History
On the night of the "Benefit" Lucille chose to show us what she looked
like in male attire, so she put up "Don Caesar" and appeared in the
role of the ragged cavalier. Before the play was over it was very
apparent that Lucille had been indulging in the ardent, but she
managed to get through without materially marring the play. The next
night, however, was Charles Reade's "Foul Play." This piece was
entirely new to the company, never having been done in the theatre
before, so that the stock company was hard pushed with study to get
their lines, but with their accustomed industry and regularity they
were all _au fait_ on this first occasion, and the play might have
scored a genuine success if the "star" had done her part towards it;
but she repeated her indulgence of the night before and to such a
degree that by the opening of the fourth act she was in a very sorry
plight. This act is on an uninhabited island; there has been a
shipwreck and the hero and heroine have been washed or driven or blown
onto this island and with a few of the ship's crew are the only
survivors. As the act opens Robert Penfold (Lindsay) and Helen
Rolleston (Miss Western) are discovered on a high cliff looking for a
sail. The few survivors of the crew have gone in search of fresh water
and something to eat, and the two leading characters have the entire
act between them until the finale when a rescuing party arrives with a
boat. Here was a dilemma; never was a stage lover placed in a more
embarrassing position. It was quite apparent to him as they ascended
to the cliff before the rise of the curtain that the stalwart Lucille
was not in proper condition for climbing cliffs, more particularly
stage cliffs, which are generally pretty shaky affairs, and the
probability of a sudden and unlocked for descent was anything but a
pleasing prospect to Mr. Lindsay. To still further embarrass him he
discovered that Lucille's tongue was decidedly thick, in fact she
could scarcely articulate. The curtain should never have gone up; it
would have saved the management, the actors, and particularly Miss
Western, a vast amount of humiliation; Miss Western should have been
suddenly ill; or an announcement made to that effect and the audience
dismissed and their money refunded if necessary; they should have been
spared the agony of witnessing a really great artiste rendered
imbecile and helpless by an uncontrollable appetite for liquor. But
the curtain did go up and down went Lucille. At the very first step
she made to descend she staggered, and in spite of all that her stage
lover could do to steady her she made a sudden unsteady descent and
landed in a kneeling position on the stage. Oh! the agony of that
moment! With assistance she staggered to her feet, and now as she
attempted to speak her first speech in the act, a new terror seized
me. Her words were thick and inarticulate--not heard at all by the
majority of the audience, who now began to realize the true condition.
Public-domain text, read in full here on John Shaqi.
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