The Mormons and the Theatre; or, The History of Theatricals in UtahLindsay, John S. (John Shanks)
Religion
The Mormons and the Theatre; or, The History of Theatricals in Utah
Lindsay, John S. (John Shanks)
Latter Day Saints; Theater -- Utah -- History
It was evident to everybody on the stage that she could never get
through the act, and so the stage manager, after another abortive
attempt on her part to say her lines, sent on the boat with the rescue
party and the finale of the act was reached. Never was such a scene
between a pair of stage lovers so horribly mutilated as this; never
was an act so fearfully and unintelligibly abbreviated as this one,
and never did a rescue party arrive more opportunely. It plucked the
"star" from immediate disgrace, an embarrassed actor from despair. It
was no wonder the audience remained for the last act, for they had
before the end of the fourth act divined the true state of affairs and
they stayed, curious to see how it would or could end. The last act
was a court room scene and the star had to sit on the witness stand.
She did not make a very intelligent witness but sat there with a
bright green silk gown, with a face flushed to redness, and looking
the picture of helplessness. How we got through that act, I don't
think anyone engaged in it could have told, but with the prompter's
assistance reading most of Miss Western's lines, we blundered through
and the final drop came on the most inglorious and trying performance
I ever had part in.
The manager promptly cancelled Miss Western's engagement, although she
had one more night to play. The following night "Arrah Na Pogue" was
put up with Mr. Herne in the part of "Shaun the Post," but as if the
fates had decreed that this Herne-Western engagement should end
disgracefully, if not disastrously, this last night went on record as
losing one for the managers and a discreditable one to the solitary
remaining star. Owing to the fiasco of the night before, a rather
slender audience was in attendance to witness Mr. Herne's last
appearance. Whether this fact had to do with the sudden indisposition
and collapse of Mr. Herne on this occasion, there is no means of
knowing, but the writer has ever been of the opinion that it was the
very perceptible falling away of the patronage and his chagrin and
vexation over Miss Western's conduct of the night before that wrought
upon the actor's nervous system to such a degree that he declared
himself unable to appear. The writer's dressing room was so situated
that he could not hear what was transpiring on the stage. When the
curtain time arrived and I came down to the stage all made up for
"Michael Feeney," to my great surprise I was informed there was to be
no performance; the audience had been dismissed owing to the sudden
illness of Mr. Herne. Herne was seated on the big curtain roller and a
number of the company around him, offering sympathy and assistance to
the disabled star who appeared to be in great agony. I returned
hastily to my dressing room and divested myself of Michael Feeney's
habiliments, and resuming my own attire, was soon back to Mr. Herne's
side and proffered my assistance to help him to his hotel. In the
Public-domain text, read in full here on John Shaqi.
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