The Morris Book, Part 1: A History of Morris Dancing, With a Description of Eleven Dances as Performed by the Morris-Men of England — John Shaqi
The Morris Book, Part 1: A History of Morris Dancing, With a Description of Eleven Dances as Performed by the Morris-Men of EnglandSharp, Cecil J. (Cecil James)
History
The Morris Book, Part 1: A History of Morris Dancing, With a Description of Eleven Dances as Performed by the Morris-Men of England
Sharp, Cecil J. (Cecil James)
Morris dance
Whether we have erred in believing that there exists to-day a wide and
keen desire for that restoration will be plainly shown in the reception
and the result of our endeavour. How we ourselves came by the belief in
that desire is easily told.
The idea that the Morris dance might once again be known amongst us, in
town and countryside, as the ordered expression of a national spirit, was
given to us in this wise. One of us--it is not by now too much to
claim--had acquired an enthusiasm for Folk-music, and a certain knack of
finding it where it still survived in the agèd memories of the peasantry,
and of transcribing and preserving it when found. The other had also his
knack of passing on the music that pleased him to susceptible and willing
juniors, and of making them to perform the same. In a happy hour the
collector with his treasury and the teacher, pining for some fresher and
sincerer melodies, met together. The "Folk Songs from Somerset" were
given to those working girls of London town to whom this book is
dedicated. From the very start we were aware that the old songs, merry or
mournful, that until then had been looked upon by this newer generation
for the greater part with something of an antiquarian and merely curious
eye, had been given wings and a new vitality. The songs of peasant-folk
long dead, songs of love and war, parting and death, prospered and spread
in the London streets and workrooms like the news of victory. We were
very well used to find in these singers apt and willing learners; we were
also used to note that whatsoever we had found to teach them hitherto,
passed, when the performance was done, into forgetfulness: we were
totally unused to find this fertility and resonance follow, as it
followed upon the teaching of the Folk-songs. It was like a sowing and a
full harvest in a place where, until now, we had tilled all but
unavailingly.
Forbye Folk-songs, the collector had noted, some seven years before, a
set of Morris tunes from Kimber, leader of the Headington (Oxon) men;
these had lain until now unused. Seeing the Folk-music fall upon such
good ground and flourish so amazingly, even amongst these quick-witted
Londoners, strangers to the countryside, it naturally suggested itself to
him that here was the opportunity, so long desired, to wake the Morris
from its long sleep. Anybody not deaf and blind, or unobservant as a
stone, knows that the genius of dancing is born in the London girl of the
people, as surely as in children of the sun.
Public-domain text, read in full here on John Shaqi.
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