The Morris Book, Part 1: A History of Morris Dancing, With a Description of Eleven Dances as Performed by the Morris-Men of EnglandSharp, Cecil J. (Cecil James)
History
The Morris Book, Part 1: A History of Morris Dancing, With a Description of Eleven Dances as Performed by the Morris-Men of England
Sharp, Cecil J. (Cecil James)
Morris dance
BEAN-SETTING (STICK DANCE).
TO FORM RING.
This is the only one of those dances we have described that begins with
the Ring. The side starts in Column. To form Ring, Nos. 3 and 4 move a
little outward from the line as "A" music begins. Then all dance in Ring
formation to the right (_see_ Fig. 1) until, at the beginning of bar 4,
all opposites have changed places: that is, Nos. 1 and 6 are each in the
other's position, Nos. 3 and 4, 2 and 5 have also changed. In bar 4,
files close in slightly, j. (_i.e._, form Column), and tap sticks across
on half-bar of bar 4. In remaining four bars of "A" music form Ring
again, and all return to position as they came (_see_ Fig. 2). At
half-bar in bar 8, all j. (forming Column), and partners tap sticks
across.
[Illustration: Fig. 1.]
[Illustration: Fig. 2.]
DIBBING.
This is the term used in the dance, as it is used in field and garden
work, for making a hole with a dib, or dibber, in the soil, into which
the seed is dropped. The dance, of course, represents the setting of
beans--more truly and largely, the sowing of the seed in springtime.
In dibbing (_see_ [small box] in music) all stoop well forward, holding the
right hands outward, with sticks pointing to the ground. The act of
dibbing consists in thumping the stick firmly on the floor and at once
lifting it again.
B.
Bar 1.--Dib all together at beginning and half-bar, as shown in music
([small box]).
Bar 2.--Remain stooped; at beginning of bar, pairs tap sticks across--odd
numbers tapping even numbers. Hold sticks crossed as they were tapped for
remainder of bar.
Bar 3.--Dibbing, as in bar 1.
Bar 4.--Beginning, partners tap across; half-bar, No. 1 taps No. 3.
Bar 5.--Beginning, No. 3 taps No. 5; half-bar, No. 5 taps No. 6.
Bar 6 (9/8 time).--Beginning, No. 6 taps No. 4; second beat, No. 4 taps
No. 2; third beat, partners tap across, as in bar 2.
In remaining six bars of "B," repeat dibbing and tapping as in the first
six bars.
In the notation of "Bean-setting" (p. 61), the term "Dibbing" will be
used to denote all the actions, here explained in detail, that go to the
music of "B."
COUNTRY GARDENS (HANDKERCHIEF DANCE).
In the hand-striking figure of this dance (for hand-strokes, _see_ mark
O in "B" music) there are four movements, as follows:--
Each dancer strikes both hands together. This is called in the
Notation that follows--b.
Each, with the right hand, strikes the right hand of partner.
This is marked in the Notation--r.
Each, with the left hand, strikes the left hand of partner. This
is marked in Notation--l.
Each throws up hands. This is marked in Notation--u.
In striking, handkerchiefs are held bunched together in the hands.
[Illustration: NOTATION OF HAND-STRIKING.
BEATS 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
HANDS b b r b b l b b r l u
STEP R R R R L L L L R R R R both Ju.]
CONSTANT BILLY (STICK DANCE).
Public-domain text, read in full here on John Shaqi.
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