Then she gathered impetuous courage. She must be calm, she knew; but
she must divert him. "See," she began, "what it says about your mother
in the paper!" She ran her finger down a long column of the fulsome
description of the great Multon ball--the list of fashionables, the
costumes. "Here it is! 'She was the loveliest woman at the dance.'
That's me. 'All the men said so. What if she is a bleached blonde?
Some people says that bleached blondes is no good. It's a lie!'" she
cried, passionately, to the bewilderment of the boy. "'God help them!
There's honest people everywhere.' Are you listening? Here's more
about me. 'She does the best she can. Maybe she _don't_ amount to
much, maybe she _is_ a bleached blonde; but she does the best she can.
She never done no wrong in all her life. She loves her son too much
for that. Oh, she loves her son! She'd rather die than have him feel
ashamed of her. There isn't a better woman in the world, There isn't a
better mother----'"
He clapped his hands.
"Don't you believe it?" she demanded. "Don't you believe what the
paper says?"
"It's true!" he cried. "It's all true!"
"How do you know," she whispered, intensely, "that it's all true?"
"I--just--_feel_ it!"
They were interrupted by the clock. It struck seven times....
In great haste and alarm she put him from her knee; and she caught up
her hat and cloak, and kissed him, and ran out, calling back her
good-night, again and again, as she clattered down the stairs.... In
the streets of the place to which she hurried, there were flaming
lights, the laughter of men and flaunting women, the crash and rumble
and clang of night-traffic, the blatant clamour of the pleasures of
night; shuffling, blear-eyed derelicts of passion, creeping beldames,
peevish children, youth consuming itself; rags and garish jewels,
hunger, greasy content--a confusion of wretchedness, of greed and grim
want, of delirious gaiety, of the sins that stalk in darkness....
Through it all she brushed, unconscious--lifted from it by the magic of
this love: dwelling only upon the room that overlooked the river, and
upon the child within; remembering the light in his eyes and the
tenderness of his kiss.
[Illustration: Tailpiece to _A Garden of Lies_]
[Illustration: Headpiece to _The Celebrity in Love_]
_THE CELEBRITY IN LOVE_
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account