Came, then, into the lives of these two, to work wide and immediate changes, the Rev. John Fithian, a curate of the Church of the Lifted Cross--a tall, free-moving, delicately spare figure, clad in spotless black, with a hint of fashion about it, a dull gold crucifix lying suspended upon the breast: pale, long of face, the eye-sockets deep and shadowy; hollow-cheeked, the bones high and faintly touched with red; with black, straight, damp hair, brushed back from a smooth brow and falling in the perfection of neatness to the collar--the whole severe and forbidding, indeed, but for saving gray eyes, wherein there lurked, behind the patient agony, often displacing it, a tender smile, benignant, comprehending, infinitely sympathetic, by which the gloomy exterior was lightened and in some surprising way gratefully explained. By chance, on the first soft spring day of that year, the Rev. John Fithian, returning from the Neighbourhood Settlement, where he had delighted himself with good deeds, done of pure purpose, came near the door of the Box Street tenement, distributing smiles, pennies, impulsive, genuine caresses, to the children as he went, tipping their faces, patting their heads, all in the rare, unquestioned way, being not alien to the manner of the poor. A street piano, at the corner, tinkled an air to which a throng of ragged, lean little girls danced in the yellow sunshine, dodging trucks and idlers and impatient pedestrians with unconcern, colliding and tripping with utmost good nature. The curate was arrested by the voice of a child, singing to the corner accompaniment--low, in the beginning, brooding, tentative, but in a moment rising sure and clear and tender. It was not hard for the Rev. John Fithian to slip a cassock and surplice upon this wistful child, to give him a background of lofty arches and stained windows, to frame the whole in shadows. And, lo! in the chancel of the Church of the Lifted Cross there stood an angel, singing. The boy looked up, a glance of suspicion, of fear; but he was at once reassured: there was no guile in the smiling gray eyes of the questioner. "I am waiting," he answered, "for my mother. She will be home soon." In a swift, penetrating glance, darting far and deep, dwelling briefly, the curate discovered the pathos of the child's life--the unknowing, patient outlook, the vague sense of pain, the bewilderment, the wistful melancholy, the hopeful determination. "You, too!" he sighed. The expression of kindred was not comprehended; but the boy was not disquieted by the sigh, by the sudden extinguishment of the beguiling smile. "She has gone," he continued, "to the wedding of Sir Arthur Coll and Miss Stillison. She will have a very good time." The curate came to himself with a start and a gasp. "She's a bridesmaid," the boy added. "Oh!" ejaculated the curate. "Why do you say, 'Oh!'" the boy complained, frowning. "Everybody says that," he went on, wistfully; "and I don't know why."