The Mother of St. Nicholas: A Story of Duty and PerilBalfour, Grant
History
The Mother of St. Nicholas: A Story of Duty and Peril
Balfour, Grant
Christian fiction; Patara (Extinct city) -- Fiction; Persecution -- History -- Early church, ca. 30-600 -- Fiction
Without haste, yet her progress was steady and good, with a natural
grace set free by the loose Ionic dress--a cream-coloured _chiton_,
girdled at the waist and falling from the shoulders to the feet in many
folds, and above it a short mantle in gold-brown, bordered with white.
Full of work of a high order, her dark eyes and finely carved mouth
spoke beneficent purpose, while her fair countenance showed an Oriental
seriousness and thought.
Pathema might have spared herself a life of labour and risk and
self-sacrifice. She might have enjoyed a life of fashion and pleasure
and ease. Besides this, her beauty and accomplishments could have
easily secured for her a home and affluence, had she so desired. But
she had cast in her lot with One who had lived a higher life, which in
working-out had made him a man of "no reputation." Pathema was a
Christian, and as such had made herself a set of determined and
malicious enemies. Her Christianity could not be mistaken. There was
no mere form about it, no casual acts of duty, no hysterical nights, no
insipidity, and no compromise,--the gods must go. It was a clear,
steady, every-day light, peeping up in childhood, and burning brighter
and brighter thro' the years. Though a lover of knowledge and fond of
reasoning, she wasted no time in a vain jangle about faith and works,
but illustrated both in her daily life. Encouraged by her parents, and
acting as their medium, and that of other benefactors, she attended to
the wants of a wide circle of sick and poor, both heathen and
Christian. Like her Lord himself, she went about doing good. No one
cheered and comforted the members of the Christian community more, no
one was a greater inspiration, and no one was more unassuming.
On the left bank of the Xanthus stood a large residence belonging to a
man of wealth, a business friend of Pathema's father. In front there
was no altar to Apollo Agyieus, and no statue of any god, the owner
having distinct leanings toward Christianity. All that met the eye was
a Victor's Laurel tree, behind the house, which was much greater in
depth than width, was a garden, containing such trees as pomegranate,
orange, and fig.
To that house Pathema went. Ascending the steps and knocking at the
door, she was met by a porter (with his dog), who led her and Miriam
past his lodge and along the narrow passage to the first peristyle--a
partly open courtyard. Here they awaited the appearance of the
mistress. On all four sides were colonnades, under which were a
banqueting room, a picture gallery, a library, servants' office,
sitting rooms, and several bed-chambers. The visitors had not long to
wait.
"Peace be with you!" said the mistress, with a gracious smile.
"Joy to thee!" was the reply.
Public-domain text, read in full here on John Shaqi.
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