Mothers and daughters -- Fiction; New York (N.Y.) -- Fiction; Psychological fiction; Riviera (France) -- Fiction
Kate’s glance wandered from Lilla Gates, the most obvious and least
interesting of the group, to Nollie Shriner (one of the “awful”
Fourteenth Street Shriners); Nollie Shriner first, then Nollie
Haverford, wife of a strait-laced Albany Haverford, and now Nollie
Tresselton, though she still looked, with her brown squirrel-face and
slim little body, like a girl in the schoolroom. Yes, even Nollie
seemed to be in a great hurry; one felt her perpetually ordering
and sorting and marshalling things in her mind, and the fact, Kate
presently perceived, now and then gave an odd worn look of fixity to
her uncannily youthful face. Kate wondered when there was ever time to
enjoy anything, with that perpetual alarm-clock in one’s breast.
Her glance travelled on to her own daughter. Anne seemed eager too,
but not at such a pace, or about such a multiplicity of unrelated
things. Perhaps, though, it was only the fact of being taller,
statelier--old-fashioned words still fitted Anne--which gave her that
air of boyish aloofness. But no; it was the mystery of her eyes--those
eyes which, as Kate had told her, she had chosen for herself from some
forgotten ancestral treasury into which none of the others had dipped.
Between olive and brown, but flecked with golden lights, a little too
deep-set, the lower lid flowing up smooth and flat from the cheek, and
the black lashes as evenly set as the microscopic plumes in a Peruvian
feather-ornament; and above them, too prominent, even threatening, yet
melting at times to curves of maiden wonder, the obstinate brows of old
Mrs. Clephane. What did those eyes portend?
Kate Clephane glanced away, frightened at the riddle, and absorbed
herself in the preoccupying fact that the only way to tell the Drovers
from the Tresseltons was to remember that the Drovers’ noses were even
smaller than the Tresseltons’ (but _would_ that help, if one met one of
either tribe alone?). She was roused by hearing Enid Drover question
plaintively, as the ladies regained the drawing-room: “But after all,
why _shouldn’t_ Anne go too?”
The women formed an interrogative group around Mrs. Clephane, who found
herself suddenly being scrutinized as if for a verdict. She cast a
puzzled glance at Anne, and her daughter slipped an arm through hers
but addressed Mrs. Drover.
“Go to Madge Glenver’s cabaret-party with Lilla? But there’s no
real reason at all why I shouldn’t--except that my preference, like
Nollie’s, happens to be for staying at home this evening.”
Mrs. Drover heaved a faint sigh of relief, but her daughter, shrugging
impatient shoulders out of her too-willing shoulder-straps, grumbled:
“Then why doesn’t Aunt Kate come too? You’ll talk her to death if you
all stay here all the evening.”
Nollie Tresselton smiled. “So much for what Lilla thinks of the charm
of our conversation!”
Lilla shrugged again. “Not _your_ conversation particularly. I hate
talking. I only like noises that don’t mean anything.”
“Does that rule out talking--_quite_?”
Public-domain text, read in full here on John Shaqi.
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