The Mountain Chant, A Navajo Ceremony: Fifth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1883-84, Government Printing Office, Washington, 1887, pages 379-468Matthews, Washington
Religion
The Mountain Chant, A Navajo Ceremony: Fifth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1883-84, Government Printing Office, Washington, 1887, pages 379-468
Matthews, Washington
Mountainway (Navajo rite); Navajo Indians -- Rites and ceremonies
114. As soon as they were gone the work of obliteration began. The
figures of the gods were rubbed out in the usual order (white, blue,
yellow, black, rainbow), the erasure in each case proceeding from foot
to head. The plumed wands fell as before, simultaneously with the
destruction of the rainbow. The sand was carried out at half past
2 o’clock and no further rites were performed during the day.
115. EIGHTH DAY. The picture painted on Monday (October 27) was of a
simple character, and hence did not occupy much time. The work was begun
at 7 a.m. and was finished at 10 a.m. Of the four shorter or interior
arrows (Plate XVIII), that which stands second from the north was
regarded as the arrow of the east and was begun first. On this arrow the
sick woman was placed, sitting with her face to the east, when she came
to be treated and fumigated. The bowl of infusion was laid on the point
of the arrow immediately to her left, regarded as the arrow of the
north. The medicine man put the pollen on the base, on the red cross
lines near the center, and on the white tips. All the ceremonies which
took place between the completion and the obliteration of the picture
(the planting of the five plumed wands, the sprinkling of the picture
with meal, the sprinkling and administration of the infusion, the
application of the colored dust to the person of the patient, the
fumigation of the two women, the whistling, the singing, and rattling)
were essentially the same as those observed on the previous day. In
taking the dust from the picture, however, the shaman applied his hands
only to the bases of the arrows. The ceremony of obliteration was also a
repetition of the rites of the previous day.
[Illustration: FIG. 53. The great wood pile.]
116. The building of the great stack of wood (Fig. 53) which was to
furnish the fire in the center of the corral on the last night went on
simultaneously with the painting of the picture. Both tasks were begun
and ended about the same time. The wood in the big pile was dead, long
seasoned juniper and cedar, fuel of the most inflammable character. The
pile was about twelve feet high and sixty paces in circumference. Large
quantities of this dry wood were also brought and placed outside the
space allotted to the corral, to replenish the fires when needed.
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