The dancers formed a semicircle nearly ten feet distant from the pole and the light of the central fire shone brightly upon all. 143. _Ninth dance._ It was after 1 o’clock in the morning when the dance of the hoshkàwn (_Yucca baccata_) began. (Fig. 57. See paragraph 3.) The ceremony was conducted in the first part by twenty-two persons in ordinary dress. One bore, exposed to view, a natural root of yucca, crowned with its cluster of root leaves, which remain green all winter. The rest bore in their hands wands of piñon. What other properties they may have had concealed under their blankets the reader will soon be able to conjecture. On their third journey around the fire they halted in the west and formed a close circle for the purpose of concealing their operations, such as was made in the eighth dance. After a minute spent in singing and many repetitions of “Thòhay,” the circle opened, disclosing to our view the yucca root planted in the sand. Again the circle closed; again the song, the rattle, and the chorus of “Thòhay” were heard, and when the circle was opened the second time an excellent counterfeit of the small budding flower stalk was seen amid the fascicle of leaves. A third time the dancers formed their ring of occultation; after the song and din had continued for a few seconds the circle parted for the third time, when, all out of season, the great panicle of creamy yucca flowers gleamed in the firelight. The previous transformations of the yucca had been greeted with approving shouts and laughter; the blossoms were hailed with storms of applause. For the fourth and last time the circle closed, and when again it opened the blossoms had disappeared and the great, dark green fruit hung in abundance from the pedicels. When the last transformation was completed the dancers went once more around the fire and departed, leaving the fruitful yucca behind them. [Illustration: FIG. 57. Yucca baccata.]