There’s a god on each side. Now the Holy Young Woman Is the god on top of the blue mountain, With her blue notched stick, The implement of her dance, her magic wand. 226. This song is said to refer to that part of the myth where it is related that the prophet, flying from the Ute, climbed a hill which was transformed into a mountain. (Paragraph 38.) Each mountain was supposed to have a holy one on it, who could, by means of his notched stick, produce the metamorphosis. The mountains were not necessarily colored black and blue, but are thus described to indicate that they lay north and south of the prophet’s path. (Paragraph 171.) 227. TWELFTH SONG OF THE HOLY YOUNG MEN. Eāīèa qàla éla yaináhe, oöhè. Eāīèa qàla éla yainooò yaaà yooò [three times], Eāīèa qàla éla yainà, qàla èla qainàhe oöhè. 1. Dsil ilhyíli inlòooò yaaà yooò, 2. Tsintsoï ¢ilhyíli inlòooò yaaà yeeè. 3. Ci cigèlgo yainà, Qala éla qainàhe oöhè. 4. Dsil çolíji inlòooò yaaà yooò, 5. Tsintsoï ¢ilhyíli inlòooò yaaà yeeè, 6. Ci cigèlgo yainà, Qala éla qainàhe oöhè. 228. _Translation._--1, 4. Dsil, mountain; çilhyíl, black; çolíj, blue. 2, 5. Tsintsò, a notched stick used in ceremonies to make music; inlo (inla‘), they lie there (two long hard things lie). 3, 6. Cigèl, my ultimatum, my desideratum (said of the peculiar sacrifice which belongs to each god), something I (the god) will have and accept nothing in place of it, my special sacrifice. 229. _Free translation._ There lie the black mountains; There lie the black sticks; There lie my sacrifices. There lie the blue mountains; There lie the blue sticks; There lie my sacrifices. 230. This is supposed to be a part of the instructions which the Holy Young Men and Holy Young Women gave to the prophet. The tsintso is made of cherry, which grows only on high mountains in the Navajo country. The sticks are painted black and blue. (See paragraph 171.) The song alludes to all these facts. 231. EIGHTH SONG OF THE YOUNG WOMEN WHO BECOME BEARS. Ço¢igìni¢a oyàhe, oöhè, Ço¢igìni¢a oyà oyà ooyàya Hāīyàya hāīyàya hāīyàhe, oöhè. 1. Kaç Tsilkè-¢igìnië ço¢igìn¢a hāīyàhe, oöhè, 2. Bitsintsòië ië ço¢igìn¢a hāīyàhe oöhe, 3. Tsí¢a bialìlië bíja-ye¢igìnië, oyà oyà, oyàya, Hāīyàya hāīyàya hāīyàhe, oöhè. Ço¢igìni¢a oyàhe, oöhè, Ço¢igìni¢a oyà oyà ooyàya, Hāīyàya hāīyàya hāīyàhe, oöhè. 4. Kaç Tcikè-¢igìnië ço¢igìn¢a hāīyàhe, oöhè, 5. Bitsintsòië ië ço¢igin¢a hāīyàhe oöhè, 6. Tsí¢a bialìlië bíja-ye¢igìnië, oyà oyà, oyàya, Hāīyàya hāīyàya hāīyàhe, oöhè. 232. _Translation._-- Ço¢igìni¢a, ço¢igìni¢a, he is not a god; it is not holy; it is not divine. 1, 4. Kaç, now; tsilkè, young man; tcikè, young woman; ¢igìni, holy, supernatural. 2, 4. Bitsintsòi, his great notched stick. 3, 6. Tsí¢a, verily; bialìli, his implement of the dance or rite; bíja-ye¢igìni, his treasure which makes holy; his magic wand. 233. _Free translation._