It did not occur to him that he had emerged from an old world into a new. That between the old circus public and the new music-hall public there was almost a generation's change of taste and critical demand. The Cirque Rocambeau had gone round without perceiving that the world had gone round too. It wondered why its triumphant glory had declined; and it could not take steps to adapt itself to the new conditions which it could not appreciate. Everyone grew old and tradition-bound in the Cirque Rocambeau, even the horses, until gradually it perished of senile decay. Andrew Lackaday carrying on the traditions of his foster father, the clown Ben Flint, had remained with it, principal clown, to the very end. Now and then, rare passers through from the outer world, gymnasts down on their luck, glad to take a makeshift engagement while waiting for better things, had counselled him to leave the antiquated concern. But the Cirque Rocambeau had been the whole of his life, childhood, boyhood, young manhood; he was linked to it by the fibres of a generous nature. All those elderly anxious folk were his family. Many of the children, his contemporaries, trained in the circus, had flown heartlessly from the nest, and the elders had fatalistically lamented. Madame Rocambeau, bowed, wizened, of uncanny age, yet forceful and valiant to the last--carrying on for the old husband now lying paralysed in Paris who had inherited the circus from his father misty years ago, would say to the young man, when one of these defections occurred: "And you André, you are not going to leave us? You have a fine position, and if you are dissatisfied, perhaps we can come to an arrangement. You are a child of the circus and I love you like my own flesh and blood. We shall turn the corner yet. All that is necessary is faith--and a little youth." And Andrew, a simple soul, who had been trained in the virtues of honour and loyalty by the brave Ben Flint, would repudiate with indignation the suggestion of any selfish desire to go abroad and seek adventure. At last, one afternoon, when the tent, a miserable gipsy thing compared with the proud pavilion of the days of the glory of Billy the pig, was pitched on the outskirts of a poor little town, they found Madame Rocambeau dead in the canvas box-office which she had occupied for fifty years, the heartbreaking receipts in front of her, counted out into little piles of bronze and small silver. The end had come. The circus could not be sold as a going concern. It crumbled away. Somebody bought the old horses, Heaven knows for what purpose. Somebody bought the antiquated harness and moth-eaten trappings. Somebody else bought the tents and fittings. But nobody bought the old careworn human beings, riders and gymnasts and stable hands who crept away into the bright free air of France, dazed and lost, like the prisoners released from the Bastille.