Circus -- Fiction; Clowns -- Fiction; World War, 1914-1918 -- Veterans -- Fiction
One of them with a quick gesture took up from the table a forgotten
newspaper and began to fan herself and her companion, to the accompaniment
of giggling and chatter about the heat. They were very young. They ordered
grenadine syrup and eau-de-seltz. Andrew Lackaday stared dismally beyond
them, at the dancers. In the happy, perspiring girls in front of him he
took no interest, for all their youth and comeliness and obviously frank
approachability. He saw nothing but the fury-enflamed face of Coinçon and
heard nothing but the rasping voice telling him that it was cheaper to pay
him his week's salary than to allow him to appear again. And "_f---- moi
le camp!_" Why hadn't he taken Coinçon by the neck then and there with
his long strong fingers and strangled him? Coinçon would have had the
chance of a rabbit. He had the strength of a dozen Coinçons--he, trained to
perfection, with muscle like dried bull's sinews. He could split an apple
between arm and forearm, in the hollow of his elbow. Why shouldn't he go
back and break Coinçon's neck? No man alive had the right to tell him to
_f---- le camp!_
"You don't seem very gay," said a laughing voice.
With a start he recovered consciousness of immediate surroundings. Instead
of two girls opposite, there was only one. Vaguely he remembered that a man
had come up.
"_Un tour de valse, Mademoiselle?_"
"_Je vieux bien_."
And one of the girls had gone, leaving her just sipped grenadine syrup and
seltzer-water. But it had been like some flitting unreality of a dream.
At his blinking recovery the remaining girl laughed again.
"You look like a somnambulist."
He replied: "I beg pardon, Mademoiselle, but I was absorbed in my
reflections."
"Black ones--_hein?_ They have made you little infidelities?"
He frowned. "They? Who do you mean--they?"
"_Un joli garçon is not absorbed in his reflections_"--she mimicked
his tone--"unless there is the finger of a _petite femme_ to stir them
round and darken them."
"Mademoiselle," said he, seriously. "You are quite mistaken. There's not a
woman in the world against whom I have the slightest grudge."
He spoke truly. It was a matter of love, and Mme Coinçon's hostility did
not count.
"Word of honour," he added looking into the smiling ironical face.
Love had entered very little into his serious scheme of life. He had had
his entanglements of course. There was Francine Dumesnil, who had fluttered
into the Cirque Rocambeau as a slack wire artist, and after making him vows
of undying affection, had eloped a week afterwards with Hans Petersen, the
only man left who could stand on the bare back of a horse that was not
thick with resin. But the heart of Andrew Lackaday had nothing to do
with the heart of Francine Dumesnil. He had agreed with the aged Madame
Rocambeau. _Sales types_, both of them.
"If it had been _chagrin d'amour_--sorrow of love, Mademoiselle,"
said he, "I should not have been so insensible to the presence of two such
charming young ladies."
Public-domain text, read in full here on John Shaqi.
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