The movie boys in the jungle : $b or, Lively times among the wild beastsAppleton, Victor
General
The movie boys in the jungle : $b or, Lively times among the wild beasts
Appleton, Victor
Africa -- Juvenile fiction; Dime novels; Motion pictures -- Production and direction -- Juvenile fiction
“So you never can tell what they may do. You may pass one without the
least intention of harming it, but it may blindly rush you, and, if you
don’t stop it with a bullet, you are likely to be killed.
“Buffaloes are much the same, but they are less erratic. You can more
easily figure on what they will do. Elephants and lions will seldom
charge, unless you persistently hunt them. They prefer to run along and
mind their own affairs. Rhinos and buffaloes do not. But we’ll see what
happens when we get to the jungle, boys.”
“Oh, I do hope we can get some good pictures!” exclaimed Blake, and
Joe echoed the desire.
The voyage passed off without incident. They made a stop of a few days
in Naples, and inspected some of the Italian moving picture studios. Of
late, several Italian firms had entered the business, making elaborate
films of historical subjects, and Joe and Blake were interested in
noting their methods.
“But they all have to come to the United States for one thing,” said
Blake, after a tour of one of the largest factories.
“What’s that?” asked Joe.
“The perforations in the edges of the film, by which it is moved in the
camera or projector. They all have to conform to the standard adopted
by Thomas A. Edison, when he first turned out a moving picture.”
This is a well-known fact; all films, whether domestic or foreign, have
the same number of perforations per inch, on each side of the film, as
that adopted by the celebrated inventor of West Orange, New Jersey,
several years ago. It is a tribute to an American genius, and the boys,
though so far from home, felt a sense of nearness as they wandered
through the Italian studio and saw the Edison standard perforation
gauge being used.
From Naples they took another German line steamer for Suez, thence to
go to Mombasa. Now they began to get sight of foreigners other than
Europeans, for there were both African and East Indians aboard, and
there were many interesting sights.
Nothing of importance occurred until reaching Suez, and there more
foreign types were noticed. And it was here that they received their
first bad news.
They were just about to embark for the last stage of their journey,
to Mombasa, when Joe and Blake came aboard with a copy of an English
paper printed there. They were idly scanning the news, hoping to see
something from their own land, when Joe uttered a cry, as he stared at
a certain paragraph.
“What is it?” asked Blake.
“Bad news,” replied his chum. “I wonder if we can keep this from Dad?”
He pointed to few lines, which read:
Public-domain text, read in full here on John Shaqi.
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