The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural PlaysHope, Laura Lee
General
The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural Plays
Hope, Laura Lee
Farm life -- Juvenile fiction; Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
Ruth and Alice liked the farmer's wife at once. There was a stoop to
her shoulders that told of many weary days of work, and she looked
worn and tired, but there was a bright welcome in her eyes as she
greeted the visitors. "Pa Felix," as Sandy called his father, was
rather old and feeble.
"Come right in and make yourselves to home," urged Mrs. Apgar. "Your
rooms is all ready for ye!"
"Where is the bell-boy?" asked Miss Pennington, with uptilted head
and powdered nose. "I want him to take my valise to my room at once.
And I shall want a bath before dinner."
"Isn't she horrid, to try to put on such airs here?" said Alice to
Ruth, nodding in the direction of the vaudeville actress.
"Yes. She only does it to make trouble."
Sandy and his father were talking together in low tones in one corner
of the big parlor.
"You didn't get any word; did you?" asked the old man.
"No, Pa. There wasn't no letter."
"Then we won't git th' money."
"It don't look so."
"And we'll have to lose th' place?"
"I--I'm afraid so," replied Sandy.
"Gosh! That--that's hard, in my old age," said the elderly farmer,
softly. "I hoped your ma and I'd be able to end our days here. But I
guess it ain't to be. However, this company will help us pay some of
the claims. We'll do the best we can, Sandy."
"That's what we will!"
Alice wondered what secret trouble could be worrying the farmer and
his son. Mrs. Apgar, too, had an anxious look on her face, but she
tried to make her visitors feel at home.
CHAPTER IV
A QUEER PROPOSAL
Oak Farm was a most delightful place. Ruth and Alice agreed to this
even before the first meal was served. They stood at the window of
their room--a large one with two beds--and gazed across the green
meadows, off to the greener woodland and then to the distant hills
which girt the valley holding Oak Farm in its clasp.
The hills were purple now with the coming of night--a deep purple
like the depth of a woodland violet--and their tops were shrouded in
mist.
At the foot of the hills ran a little river, and now it looked like
some ribbon of silver, twining in and out amid the green carpet of
the fields.
"Oh, isn't it beautiful--just beautiful!" sighed Ruth.
"Do you mean the odor of that fried chicken?" asked Alice, with a
frank laugh, as she let down her hair, preparatory to putting it up
again, in the general process of "dressing." "It is delightful; but I
would hardly call it 'beautiful.'"
"Oh, you know what I mean!" returned Ruth, not turning from the
window which gave a view of the distant hills. "I'm speaking of the
scenery."
"Oh, yes, I suppose it is beautiful," agreed Alice, who, truth to
tell, was not gifted with a very strong aesthetic sense. "But I
suppose Mr. Pertell came here because it was so practical for the
rural dramas."
"Beauty counts in them, too," said Ruth, softly. "Oh, just look at
the purple light on those hills, Alice!"
Public-domain text, read in full here on John Shaqi.
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