The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural Plays — John Shaqi
The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural PlaysHope, Laura Lee
General
The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural Plays
Hope, Laura Lee
Farm life -- Juvenile fiction; Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
Then there was a man, with rather long black hair, upon which
perched, rather than fitted, a tall silk hat that had lost its first
sheen. If ever "actor" was written in a man's make-up it was in the
case of this personage. Beside him stood, attired much the same, but
in garments that fitted him better, another who was obviously of the
theater, as were the two girls who were so aware of their own good
looks.
Add to this two or three young men, at least two of whom seemed to
hover near the two girls who were innocently unaware of their beauty;
a bustling gentleman who seemed nervous lest some of the party get
lost, a motherly-looking woman, with two children who were here,
there and everywhere; another man who looked as though all the milk
and cream in the world had turned sour, and finally one on whose
round German face there was a gladsome smile, which seemed
perpetual--and you have the main characters.
No, there was one other--a genial man who seemed to be constantly
trying to solve some puzzle, and taking pleasure in it.
And these personages were waiting for a train. That was evident. You
might have puzzled over their occupation and destination, as many
other travelers did, and the problem would not have been solved,
perhaps, until you had a glimpse of the markings on their trunks. But
when you noted the words: "Comet Film Company," you understood.
"Oh, won't it be just delightful, Ruth!" exclaimed one of the younger
girls.
"It certainly will, Alice. I'm just crazy to get out where I can
gather new-laid eggs and know they are fresh!"
"Little housekeeper!" exclaimed the man standing beside the one who
looked as though he dreamed of nothing else but "Hamlet."
"Well, Daddy dear, won't it be just fine to have fresh eggs?"
demanded the one addressed as Ruth. "If Alice thinks it's easy to get
them in the city----"
"Now Ruth DeVere, you know I was only chaffing!" exclaimed Alice.
"But I don't believe you'll get much chance to gather eggs, Ruth."
"Why not?"
"Those two youngsters will claim that as one of their
daily--chores--I believe they're called on a farm," and with laughing
brown eyes she motioned to the boy and girl who, at that moment, were
playing tag around the motherly-looking woman.
"Oh, yes, I suppose Tommy and Nellie will be after them," agreed
Ruth. "But I can go with them."
"And jump off the beam in the barn down into the hay! Won't that be
fun!" cried Alice. "I haven't done that--not in years, when we went
once to grandfather's farm. Oh, for a good jump into the fragrant
hay!"
"Why, Alice, you wouldn't do that; would you?" asked Ruth, as she
straightened her sailor.
"She may--and you may all have to!" spoke the man who seemed in
charge of this odd theatrical company.
"How is that, Mr. Pertell?" asked Ruth.
"Well, you know we're going to make moving pictures of all sorts of
rural scenes that will fit in the plays, and jumping into a haymow
may be one of them," he laughed.
Public-domain text, read in full here on John Shaqi.
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