The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural PlaysHope, Laura Lee
General
The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural Plays
Hope, Laura Lee
Farm life -- Juvenile fiction; Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
For a moment, at seeing this new figure, and supposing, perhaps, that
it was a more active enemy than the others, the bull made as if to
leap forward, with lowered horns. But, fortunately, the young farmer
had an effective weapon in a pitchfork. Its sharp tines Sandy held
toward the bull, pricking the creature slightly. This was too much
for the beast, and with a bellow of pain, instead of rage, as before,
he turned, and with drooping tail crashed his way through the corn,
as he had come.
"Pesky gritter!" exclaimed Mr. Switzer, in his strong German accent.
"He nearly gafe me heart disease. Feel how he thumps inside my west,"
he appealed to Mr. Sneed.
"Ha! What do I care about your heart!" exclaimed the "grouch,"
inconsiderately. "My foot will be lame for a week where I hit it.
This is getting worse and worse--I suppose you'll be turning wild
tigers and lions loose on us next!" he cried in a highly aggrieved
tone to Mr. Pertell.
"This wasn't my fault," said the manager. "I did not invite the bull
here."
"No, I guess nobody did," laughed Sandy. "But I hope he didn't hurt
any of you."
"No, he only scared us," said Ruth, who had gone to the side of her
sister.
"I can't understand how he got out," went on the young farmer. "He's
kept in a field with a strong fence, and th' gate is always locked.
Th' hired man knows better than to let him out, too."
"It might be a good idea to see that he is put back in his
enclosure," suggested Mr. DeVere. "I'm sure we'll all feel safer if
we know he isn't roaming about the place when we pose for more
pictures."
"Indeed we will," agreed Mr. Pertell. "I can see you all looking
around nervously, instead of paying attention to the play, if that
bull isn't locked up."
"I'll attend to it right away," promised Sandy. "He's dangerous
enough, but he's afraid of this pitchfork. I can always manage him
with that. I'll go see how he got out. I don't understand it."
"I'll go with you," volunteered Russ. "We'll have to make the last
bit of this scene over," he went on, to Mr. Pertell.
"Yes, I suppose so," agreed the manager.
"And they'll want a little time to get over the scare so they can
pose properly," went on Russ, nodding at Alice and Paul, who, as well
as the others who filled in the background of the picture, were
somewhat disturbed.
"Yes, it will be just as well to take a breathing space," said Mr.
Pertell. "But don't run into danger, Russ. We've got lots of plays
yet to film."
"I won't," laughed the young operator, and as he went off after
Sandy, Ruth gazed after him with rather anxious eyes.
"I knew something like this would happen!" exclaimed Mr. Sneed,
gloomily. "That track thirteen----"
"Say, if you don't drop that you can look for another place!" cried
the manager, sharply. "Everything that happens you blame on that
silly superstition."
"And things aren't done happening yet, either," went on the "grouchy"
actor, but he took care not to let the manager hear him.
Public-domain text, read in full here on John Shaqi.
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