The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural Plays — John Shaqi
The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural PlaysHope, Laura Lee
General
The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural Plays
Hope, Laura Lee
Farm life -- Juvenile fiction; Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
"Go 'long!" cried Alice to the horses, and the animals began their
slow walk. For a time all went well, and then a dog, coming from no
one knew where, ran at the heels of the horses, barking and worrying
them. In an instant one of the steeds leaped forward in fright and
the other caught the alarm.
"Hold them in, Alice!" cried Russ. But it was too late, and the
horses started to run away, dragging with them the frightened girl on
the seat of the mowing machine.
CHAPTER XII
THE MAN WITH THE LIMP
For a moment those watching the making of the moving picture stood as
if paralyzed. The horses, frightened out of their usual calmness by
the barking dog, were rushing madly down the field, the mowing
machine clicking viciously.
"Hold them in! Hold them in! Pull on the lines!" cried Sandy, who was
the first to spring to action. He set off on a run toward the horses.
Russ, too, leaping aside from his camera, started off to the rescue,
and the others followed. Mr. DeVere was not in this play, and had
remained at the farmhouse.
Ruth, however, not being required in this particular scene, though
she would come in the film later, had strolled down the meadow toward
a little stream, to gather some flowers.
It was in her direction that the frightened horses were running, and
as Ruth heard the shouts, and caught the sound made by the clicking
machine, she looked up. Then she saw her sister's danger, and without
a thought of her own stepped directly in the path of the oncoming
animals, waving up and down, frantically, a bunch of flowers she had
gathered.
"Don't do that! Jump to one side!" cried Sandy, who was now nearer
the mowing machine. "Look out, Miss DeVere!"
"But I want to stop the horses!" Ruth cried. "I must save Alice!"
"You can't do it that way! They'll run you down, or if they don't the
knives will cut you! Jump to one side--I'll try and catch them!"
Ruth had the good sense to obey. She did not really mean to make a
grab for the horses, but to stand in their path as long as she could,
hoping to make them slacken speed. But she had forgotten about the
projecting knives, which, even in their sheath of steel, might
seriously injure her.
Alice, white-faced, but still keeping her wits about her, tried to
follow the shouted directions, and pull on the reins. But either the
horses had the bits in their teeth, or her strength was not enough to
bring them to a stop. On they raced, and, as the meadow was a large
one, they had plenty of room. Alice might be able to guide them
until they tired themselves out, but there was danger that they would
turn into a fence, or that the machine would overturn and crush her
under it.
Public-domain text, read in full here on John Shaqi.
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