The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural Plays — John Shaqi
The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural PlaysHope, Laura Lee
General
The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural Plays
Hope, Laura Lee
Farm life -- Juvenile fiction; Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
The dog, the cause of all the mischief, had disappeared. The horses
were now quiet enough, though breathing hard, and soon they began to
nibble at the grass.
"Well, my dear girl, I'm sorry this happened!" exclaimed Mr. Pertell,
as he came running up. "I never would have let you go through that
scene if I had dreamed of any danger."
"No one could foresee that this was going to happen," returned
Alice, who was almost herself again. "I'm all right now, and we'll
finish the act, if you please."
"Oh, no!" cried Mr. Pertell. "I can't allow it. We'll substitute some
other scene."
"No," insisted Alice. "I'm not afraid, really, and I think the
picture will be a most effective one. Besides, it is almost finished.
We can go on from the point where the horses started to run; can't
we?" she asked Russ.
"Oh, yes," he agreed, with a look at the manager, "but----"
"Then I'm going to do it!" laughed Alice, gaily. "I'm not going to
back out just because the horses got a little frisky. They will be
quiet now; won't they, Sandy?" she asked.
"I think so, Miss--yes. That run took all the tucker out of 'em.
They'll be quiet now," and he rather backed away from Alice, as
though he feared she might, any moment, put into execution her threat
to faint.
"Alice, I'm not sure you ought to go on with this," spoke Ruth in a
low voice. "Papa might not like it."
"He wouldn't like me to begin a thing and not finish it," was the
younger girl's answer. "I'm not afraid, and I do hate to spoil a
film. Come, we'll try it over again," and she pluckily insisted on
it until, finally, Mr. Pertell gave in.
The horses were driven back to the place from which they had bolted
and Alice again took her place on the seat of the mowing machine,
while Russ worked the camera. This time everything went well, but
Sandy Apgar was near at hand, though out of sight of the camera, to
be ready to jump on the instant, if the horses showed any signs of
fright.
Paul Ardite, too, was on the watch, Ruth noticed. However, there was
no need of these precautions. The horses acted as though they had
never had any idea of bolting, and the film was finished.
Mr. DeVere looked grave when told of the accident, and after a moment
or two of thought remarked:
"I wonder if I had better let you girls keep on with this moving
picture work? It is much more dangerous than I supposed. I am worried
about you."
"You needn't be, Daddy dear!" exclaimed Alice, slipping her arm about
his neck. "Nothing has happened yet, and I'll be real careful. I
should be heartbroken if we had to give it up now. I just love the
work; don't you, Ruth?"
"Indeed I do; but twice lately, danger has come to you."
"Well, I'll have one more near-accident and then the 'hoodoo' will be
broken, as Mr. Sneed would say. Three times and out, you know the old
saying has it."
"Oh, Alice!" cried Ruth. "Do be sensible!"
Public-domain text, read in full here on John Shaqi.
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