The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural PlaysHope, Laura Lee
General
The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural Plays
Hope, Laura Lee
Farm life -- Juvenile fiction; Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
"No, I did not. I found him wandering about and took a notion to him.
I guess maybe he had been stolen, but I didn't do it. If I had known
who he belonged to I might have got a reward from them."
"The owner is known," Sandy said, "and she may reward you. I feel so
happy that I don't wish anybody bad luck. Now Squire, I suppose the
foreclosure is off; ain't it? I've got more than the four thousand
dollars."
"The old farm is safe, Sandy," the Squire answered, "and I'm glad of
it, for your sake. You may have thought me hard and grasping, but I
had to do the business for my clients. Now we'll have to decide what
to do with this man. I reckon we can let him go, seeing that he
didn't really do anything except take the auto, and I guess the
doctor won't press that charge."
This proved to be the case, and that day Monk Freck was released.
Mrs. Delamont was to over-joyed to get her dog back that she gave
Freck a substantial reward, for the former asylum keeper had been
kind to Rex III, and insisted that he had found him after the dog had
gotten away from the real thief.
CHAPTER XXV
THE FIRE FILM
"All ready now, Russ!"
"All ready, Mr. Pertell."
"Then start off. Be ready with the torch there, Sandy, and touch off
the pile of hay and straw inside the barn when I give the word. Then
come out for the bucket brigade."
"Yes, sir."
It was the day after the finding of the money box, for there had been
so much excitement attending that episode, that Mr. Pertell thought
it wise to postpone the fire scene. But now all was in readiness for
it.
"All ready now!" called the manager, and the play began. There were
several preliminary scenes before the final one of the burning barn,
and these were successfully run off, Russ filming them one after the
other.
There was no hitch, so well had the play been rehearsed. Now came the
time when Ruth and Alice were to take refuge in the barn, the action
being supposed to occur after a chase when they wished to escape from
a rascally guardian.
The firing of the barn (in the play) was supposed to be done by an
enemy of the farmer, and was not done to entrap the girls, of whose
presence the incendiary supposedly knew nothing.
But the girls were locked in the barn when the fire broke out, and
necessarily must be rescued.
"Touch her off!" cried the manager at the proper point, and Sandy set
fire to a pile of hay and straw inside the barn. This would make
considerable smoke, and smoke always shows up well in moving
pictures.
"Get ready with the water now!" called Mr. Pertell. "I want a lively
bucket brigade scene here!"
Sandy and his force, of whom Wellington Bunn was one, ran back and
forth from the water barrel, carrying the filled buckets and
splashing the contents on the flames.
The fire was now at its height.
"All ready for the rescue!" ordered the manager. "Up with the ladder
and get after the girls, Paul. Mr. Sneed, you're in on this."
Public-domain text, read in full here on John Shaqi.
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