The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural PlaysHope, Laura Lee
General
The Moving Picture Girls at Oak Farm: or, Queer Happenings While Taking Rural Plays
Hope, Laura Lee
Farm life -- Juvenile fiction; Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
Up the ladder climbed Paul, and with an axe he began chopping away at
the roof. This was the place prepared beforehand, and Ruth and Alice
were to be drawn up through the hole that went down into the secret
room where the money box had been found.
"Quick!" cried Paul, as he made the splinters fly. This was only for
the effect, as the section on the roof was all ready to come away.
"Hurry up, Sneed!" called the young fellow. "It's getting pretty hot
here. We'll have to follow each other closely down the ladder."
"We can't get away from here any too soon for me," the other
answered. "This is the worst yet."
In another moment the secret room was exposed. Ruth and Alice were in
it, a little afraid, after all, that something might happen.
"Come on!" cried Paul reaching down his hands. Alice climbed up on a
chair in the room, and Paul lifted her out on the roof. Then Mr.
Sneed did the same for Ruth.
Putting the girls over their shoulders, in the manner in which
firemen make rescues, the two started down the ladder.
In spite of Mr. Sneed's fear, nothing happened. The rescue went off
finely, and even those not taking part in it applauded as it came to
a close and Ruth and Alice, who were supposed to have fainted, were
revived.
Then their parts ended, for that particular scene, but the barn
continued to burn, as was intended, and soon it was a glowing heap of
embers and ashes. The work of the bucket brigade had not been
successful, nor had it been intended that it should be.
The final scenes of the play--away from the fire--were made, and then
the players could rest.
"I hope it's a success," said the manager, with a sigh. "We have
worked hard enough over it."
And a few days later word came back from New York, whither the film
had been sent, that it was a great success, and one of the best
dramas the Comet Company had ever put over. The scenes where Alice
and Ruth were rescued were particularly fine.
* * * * *
"Well, I wonder what sort of 'stunts' we'll have to do next, Ruth?"
remarked Alice as they were in their room in the old farm house one
morning, about a week after the barn fire.
"There is no telling," was the answer. "Mr. Pertell has some plans,
but I don't believe they are ready yet."
"Yes they are, my dears!" exclaimed Mr. DeVere, as he entered the
room. "We have just received word that the entire company will spend
some months in the backwoods, getting pictures of winter scenes."
"Oh, the woods in winter!" cried Alice. "I'll just love that; won't
you, Ruth?"
"I think I shall. But I do hope we won't have so much excitement as
we've had here."
Whether they did or did not may be learned by reading the next volume
of this series, to be called: "The Moving Picture Girls Snowbound;
Or, the Proof on the Film."
Public-domain text, read in full here on John Shaqi.
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