The Moving Picture Girls at Rocky Ranch: Or, Great Days Among the Cowboys — John Shaqi
The Moving Picture Girls at Rocky Ranch: Or, Great Days Among the CowboysHope, Laura Lee
General
The Moving Picture Girls at Rocky Ranch: Or, Great Days Among the Cowboys
Hope, Laura Lee
Cowboys -- Juvenile fiction; Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
Ruth and Alice, as well as the others, were told more in detail what
action the play required, and the next day they were ready for their
parts. They went to the factory accompanied by the two former vaudeville
actresses, and by Russ and Paul. The latter was to take the part of one
of the male employees of the concern.
Ruth and Alice found themselves in a room filled with sewing machines,
at which sat girls and women busily engaged in stitching on shirt
waists. There was the hum of the small electric motors that operated the
machines, and the click and hum of the machines themselves.
A murmur ran around the room on the entrance of the players, but the
operators had been told what to expect and what to do. They were to be
in the pictures, too.
Ruth and Alice, with Miss Pennington and Miss Dixon, were given machines
close to the camera, as they were the principal characters, and interest
centered in them.
"Just guide the cloth through under the needle," the forewoman
explained, as she started the motors on the girls' machines.
"Ready!" called Mr. Pertell to Russ, who stood beside the camera. The
action of the play began, as Russ clicked away at the handle of his
machine.
Suddenly a girl screamed.
"Oh, what is it?" demanded Miss Pennington, jumping up.
"Sit down! You'll spoil the film!" cried Mr. Pertell.
There was a little confusion for a moment.
"It's only one of the girls who has run a needle into her finger," the
forewoman explained. "It often happens. We take care of them right
here."
"All right--get that in, Russ," suggested Mr. Pertell. "It will make it
seem much more natural."
The girl's injury was a slight one, and Russ got on the film the action
of her being attended in the room set aside for the treatment of injured
employes.
"I'll have something written in the script to fit to that," said Mr.
Pertell, as the action of the play resumed.
The plot of the little drama called upon Miss Pennington to write a note
to Alice, pretending that it came from a young man, whose name the
former vaudeville performer was supposed to forge. Alice was to
"register" certain emotions, and to show the note to Ruth. Then Miss
Dixon came into the scene, the sewing machines were deserted and, for a
moment, there was an excited conference.
Considerable dramatic action was called for, and this was well done by
the girls, while the real operatives looked on in simulated surprise as
they kept at their work.
The play was almost over, when from a far corner of the room came a
startled cry.
"Someone else hurt with a needle, I wonder?" queried Paul, as he stood
near Alice's machine.
"I hope not," she answered.
And then the whole room was thrown into panic as the cry broke out:
"Fire! Fire! The building is on fire!"
Shrill screams drowned out the rest of the alarm, but as Ruth, Alice and
the others of the moving picture company looked around they saw a cloud
of smoke at the rear of the big room.
CHAPTER V
A MIX-UP
Public-domain text, read in full here on John Shaqi.
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